by Zoran Erić, Mischa Kuball, Dorothee Richter and Simone Voigt

Editorial "if walls could tell – East-Central European Perspectives on Participation"

by Simone Voigt

if walls could tell – The Birth of a Museum Community in Sarajevo

by Dorothee Mosters

Tracing

by Blanca de la Torre

Porous Walls: Curating Participation, Repair, and Ecological Care

by Zoran Erić

Participatory Art as a Practice of Commoning

1 – Sarajevo

by Senka Ibrišimbegović

if walls could tell: A Participatory Stage for Urban Expression

by Damir Nikšić

Creating and Curating a Cultural Community

by Mirsad Sijarić

Visions from the Past

by Benjamin Čengić

If Walls Could Tell, They Would Speak the Truth of the Community

by Elma Hašimbegović

Walk Through Walls

2 – Bucharest

by Horea Avram

On Monument, Participation and Collective Memory

by Alina Șerban

Tapping the Bottom of Reality

by Ruxandra Demetrescu

Rethinking the Functions of the Museum from Its Origins to the Present Day

by Călin Dan

T. A. Z.

by Virgil Ștefan Nițulescu

Always Changing Museum

3 – Skopje

by Sofia Grigoriadou

Out of Place in Constantly Changing Cities

by Slobodanka Stevceska

Artistic Practices in a Shifting Public Sphere

by Vladimir Janchevski

Contemporary Art and the Tries to Reclaim Public Space: Is There Any Space Left for Re-thinking the Contemporary?

by Nebojša Vilić

The ‘Cloud’ Culture of Clouded Modernity

4 – Chișinău

by Lilia Dragneva

Emergent Institutionalization and Access to Public Space: Participatory Artistic Practices in Post-Socialist Chișinău

by Vladimir Us

Connecting the Dots

by Ştefan Rusu

Socialist Architecture as a Common Value and Public Space as a Heritage

by Lilia Nenescu

Access to Gardening in Public Spaces in Chișinău

by Ovidiu Ţichindeleanu

Issues Raised Anonymously by the Participants of the Forum A New Center for Contemporary Arts – What Is It Good For?

5 – Ljubljana

by Apolonija Šušteršič

Participating Demonstrating

by Mojca Puncer

Participatory Art as an Act of Care

by Eda Čufer

Reflections on if walls could tell

6 – Kraljevica

by Igor Eškinja

Choreography of Exposure

by Lina Franko and Andi Slawinski

if walls could tell: On Site-Specific Publicness and Collective Articulation

by Branka Benčić

Old Factory New Capital: The Museum of Modern and Contemporary Art in Rijeka (MMSU)

by Sanja Bojanić

A Note from the Wall: a gdje si ti?

7 – Čačak

by Mariela Cvetić

The Upcoming Community: if walls could tell

by Bojan Djordjev

Contested Public Space

by Predrag Živković

Even the Walls of Čačak Speak

by Jasmina Čubrilo

Some Theses on Participatory Art in Relation to Misha Kuball’s project if walls could tell

Acknowledgements

Imprint

by Birgit Mersmann, Hauke Ohls and Xie Wen

Editorial (Un)Real. Curating the Digital in the Age of AI

比尔吉特·默斯曼 (Birgit Mersmann), 豪克·奥尔斯 (Hauke Ohls), 谢雯 (Xie Wen)

前言：（非）现实：人工智能时代的数字策展

by Dorothee Richter

(Un)Real Worlds of Digital Curating

多萝西·里希特（Dorothee Richter）

数字策展的（非）现实世界

by Lívia Nolasco-Rózsás

Beyond Matter. An Inquiry into the Modes of Exhibition Practices in the Virtual Condition

莉维亚·诺拉斯科-罗萨斯 (Lívia Nolasco-Rózsás）

超越物质：虚拟状态下的展览 实践模式探究

by Peggy Schoenegge

Ctrl + Curate: About Online Exhibitions

佩吉·舍内格 (Peggy Schoenegge）

Ctrl + 策展：关于线上展览

by Nina Roehrs

DYOR—Making Sense of the Crypto Art World

妮娜·罗尔斯 (Nina Roehrs）

“DYOR”——解读加密艺术世界

by Wang Yini and Wu Ziwei

Agent and Agency: Exhibiting Art Systems with Creativity in the Generative AI Age

王旖旎 (Wang Yini)，吴子薇 (Wu Ziwei)

代理与能动： 从生成式人工智能时代的创造力 谈谈展览中的艺术系统

An Interview with Xi Li (Aiiiii Shanghai) led by Birgit Mersmann and Hauke Ohls

“All that is solid is melting.” Curating and Exhibiting AI Art

比尔吉特·默斯曼 (Birgit Mersmann）和 豪克·奥尔斯 (Hauke Ohls)对谈李茜 (Xi Li) （艾厂人工智能艺术中心，上海）

“一切坚固的都在融化。”策展人工智能艺术

by Ma Nan

Curating as Resistance in the Age of AI?

马楠 (Ma Nan)

AI时代，策展还有抵抗性么？

by Wang Yiquan

Pearls in the Digital Sea: Salvaging a Collection of Short Videos

王懿泉 (Wang Yiquan)

数字沧海遗珠：从社交媒体中打捞上来的小视频档案

Imprint | 版权信息

by Birgit Mersmann and Hauke Ohls

Editorial Paraverse. Digital Transformation in Curating, Exhibiting, and Collecting

I. THE DIGITAL MEDIATION COMPLEX. PARAVERSING MUSEUM COLLECTIONS

by Lucas Burkart

Cultural Heritage in the Digital Age—Some Considerations and a Use Case

by Jacob Franke and Martin Zavesky

Digital Formats for Analogue Objects at the Staatliche Kunstsammlungen Dresden

by Florian Wiencek

Holistic Museum Experiences with Augmented Reality

by Manuel Rossner

Pietra Leccese. A Visual Essay

by Dorothee Richter

(Un)Real Worlds of Digital Curating

II. THE DIGITAL EXHIBITION COMPLEX. FROM IMMERSIVE ENVIRONMENTS TO MARKET ECOLOGIES

by Birgit Mersmann

Frameless. Para-Sites of Immersive Art Exhibitions in the Ateliers des Lumières

by Lívia Nolasco-Rózsás

Beyond Matter. An Inquiry into the Modes of Exhibition Practices in the Virtual Condition

by Peggy Schoenegge

Ctrl + Curate: About Online Exhibitions

by Hauke Ohls

Virtual Worlds and Digital Ecology in the Exhibitionary Internet Complex: Jakob Kudsk Steensen’s Berl-Berl and Boreal Dreams

by Nina Roehrs

DYOR—Making Sense of the Crypto Art World

An Interview with Pau Waelder led by Rebecca Partridge

NFTs and the Crypto Art Market

III. THE AI COMPLEX. QUEERING HUMAN AND MACHINE CURATION

An Interview with Xi Li (Aiiiii Shanghai) led by Birgit Mersmann and Hauke Ohls

“All that is solid is melting.” Curating and Exhibiting AI Art

An Interview with Răzvan Ion led by Nicolas Flessa

Art Between Human and AI. The Unexpected Potential of a Collaborative Partnership

by Răzvan Ion

The Queer Multiverse of Critical Thinking Radical AI

Imprint

by Michaela Conen, Daniel Laufer, and Dorothee Richter

Editorial "Let’s Talk About… Anti-Democratic, Anti-Queer, Misogynist, Antisemitic, Right-Wing Spaces and Their Counter-Movements"

An interview with Jutta Ditfurth led by OnCurating

Attitude and Resistance. An Epic Battle for Values and Worldviews.

by Dagim Abebe

Wendimagegn Belete’s Unveil: Resistance, Memory and Historical Reclamation

An Interview with Ruth Patir led by Dorothee Richter

(M)otherland

An Interview with Artists at Risk (AR), Marita Muukkonen and Ivor Stodolsky led by Jonny Bix Bongers

Mondial Solidarity.

by Fabienne Dubs and Jana Kurth

Right-Wing Spaces and Their Countermovements: Maria Eichhorn’s Approach

Interview with Klaus Theweleit led by Maria Sorensen and Dorothee Richter. The questions were prepared as part of a seminar.

It’s Not the Good Ones, the Peaceful Ones, Who are Winning. That’s How It Goes. Everybody Knows.

by Michaela Melián

Red Threads

by Daniel Laufer

Shifting Gazes: Choreographing Memory – From Kibbutz Visions to Neon Reflections: On Works by Nir Evron, Omer Krieger and Ariel Reichman

by Ulrich Gutmair

“We Want to Live”. On Hamza Howidy’s Activism

by Dorothee Richter

Curating on Shaky Grounds: Curating in Times of Crisis and Conflict

Conversation: Inke Arns and Dorothee Richter

The Alt-Right Complex, On Right-Wing Populism Online

by Simon Strick

On Fascistisation and Impoverished Languages

by Doron Rabinovici

On Provisional Existence

A conversation between Oliver Marchart, and Nora Sternfeld

Complex Simplicity Against Simplistic Complexity. Artistic Strategies to Unlearn Worldviews

by Sergio Edelsztein

The Schrödinger Artist: Art in the Age of Rage, A German Perspective

by Leon Kahane

Vom Ich zum Wir – From Me to We

by Ana Hoffner

Migration, Identification, Queerness – Contradictions of Queer Theory Before and After October 7

by Veronika Kracher

Lecture On Queer Hostility and Antisemitism

by Michaela Dudley

Broken Chains, Binding Challenges The Black-Jewish Alliance: Past, Present and Potential

by Hadas Kedar

Khader Oshah: Voice of Emerging Arab Bedouin Urban Generation in Negev Desert

Interview with Ahmad Mansour led by Dorothee Richter

“I want to do things differently”

by Stephan Trüby

From the Critique of Right-Wing Spaces to the Critique of Authoritarian Spaces

Imprint

by Sigrid Gareis, Nicole Haitzinger, Gwendolin Lehnerer, and River Lin

Editorial "Collective Curating in Performing Arts"

by Sandra Chatterjee

Accomplices and Allies: Curating Collectivity towards a Consent of the Heart

An Artistic Contribution by Sasapin & Huang Ding-Yun

A Photo by Kyoto Experiment

by River Lin

Artists as Curators: Collective Actions and Community Engagement in East Asia

A Photo by Kyoto Experiment

by Sigrid Gareis

Collective and Collaborative Curation: An Overlooked Topic in the Performing Arts

An Artistic Contribution by Julia Nitschke

A Photo by Kyoto Experiment

by Freda Fiala

Curated Relations: East Asian Collaborative Models in Contemporary Performance

An Artistic Contribution by Kyoto Experiment

by Helly Minarti

Curatorial Turns: From Cities to Island/Archipelago—From Collaborative to Collective

A Photo by Kyoto Experiment

by Gwendolin Lehnerer

Dance as Dialogue: The Collaborative Practice of the ModaPerf International Biennale. Interview with Zora Snake

An Artistic Contribution by Raimund Rosarius

by Sigrid Gareis

“Does it work? Not always. Is it perfect? Far from it. But they do” – Interview with Róise Goan on horizontal working structures at VIERNULVIER in Ghent

A Photo by Kyoto Experiment

by Marta Keil

On Letting Go

A Photo by Kyoto Experiment

by Gwendolin Lehnerer

Polyphonic Horizons: Connectivity as a Curatorial Paradigm

An Artistic Contribution by Savvy Kwata

by Thomas Schmidt

The Future of the German Public Theater within Europe: Collaboration Towards a Modern and Ethical Theater Ecosystem and hybrid curational leadership models

An Artistic Contribution by ULG 2024/25 (eds. Jahns / Petrik / Struckmeier)

by Angela Conquet

What Remains. The Anarchive as a Curating Score for Collective Becoming

An Artistic Contribution by Linda Samaraveerová

A Photo by Kyoto Experiment

by Nicole Haitzinger, Hanna Hedman, and Valerie Oberleithner

Warm-Up Exercises for Trans-individual and Collective Curating

by Isaac Andrés Espinoza Hidrobo

An Artistic Contribution by Isaac Andrés Espinoza Hidrobo

by Nicole Haitzinger, Gwendolin Lehnerer, and River Lin

“This is like a miracle. How did we get here?”: An Interview with Florian Malzacher and Milo Rau on Collective Curating

An Artistic Contribution by Stefan Kaegi

by Sigrid Gareis, Nicole Haitzinger, Gwendolin Lehnerer, and River Lin

Post-Editorial Q&A

An Artistic Contribution by Marie Heleen Samrotzki

Imprint

Ronald Kolb and Dorothee Richter

Editorial "(C)overt Political Shifts in Art and Curating"

A conversation with Bill Balaskas, Or Tshuva and Stephen Walker

Scanning the Horizon in Turbulent Times: Participatory Public Art as a Counter-space

Dorothee Richter

Interview with the curatorial team of the São Paulo Bienal 2025

Vivian Zavataro

Interview with Apsara DiQuinzio

Mary Lilith Fischer

Istanbul’s Cultural Scene in 2024. Interviews with Kaya Genc, Derya Yücel, Ulas Parkan, Ayşegül Yapar, and Begum Celik

Interview by Elisabeth Eberle and Hannah Winters

Who is Hulda Zwingli? What does the name Hulda Zwingli stand for?

Anastasiia Biletska

Interview with Olesya Drashkaba

The Organ of the Autonomous Sciences

“The Passion of Freemen”: Towards a Nashist Aesthetics

Elif Carrier

Interview with Eylem Delikanlı, director of Memory Museum for Historical Justice on the exhibition Past is Present at Tütün Deposu, Istanbul

Lynn Guo

Censorship, community and the search for identity in contemporary art: a conversation with Avi Feldman

Alita De Feudis and Zahira Mozafari

When the Past becomes a Foreign Country

Interviewed by Frances Melhop and Maria Sorensen

The Neighborhood Guilt Quilt Georgia Lale

A conversation with Baltensperger + Siepert and Evgeniia Dietner-Kostinskaia

On Migration and Identity and Working Together as an Artistic Practice

by Daniela Minneboo

Interview with Cesy Leonard, Radical Daughters

by Maria Sorensen

Rufina Bazlova

by Del Barrett

Buried in Baden – Frauenmuseum (Women’s Museum)

by Hannah-Maria Winters

The AfD Ban by Center for Political Beauty—A Description of the Operation

by Gürsoy Doğtaş

Don’t f*** with me! Fragments of Negative Affects: On Right-Wing Extremism Among White Gay Men and Art

Imprint

by Tanya Abraham

Editorial "REDEFINE: Curatorial and Artistic Practices in the South East"

by Muhammad Zeeshan

Flight Interrupted: Eco Leaks from the Invasion Desk

by Raqs Media Collective

Blurry Borders and Messy Realities: Reflections on the Infrastructural in the Curatorial

by Meydad Eliyahu

The Schneller Order Case: Site-specific Art in Jerusalem as a Practice of Dialogue

Shwetal A Patel interviewed by Tanya Abraham

Kochi Muziris Biennale: Complexities of a locally embedded Biennale Organisation

Sanjoy K Roy interviewed by Tanya Abraham

India: Possibilities of a Nation of Culture and Colour

by Mekhala Dave

Undulating Currents: A Group Show – An Analysis into the Curatorial Process

by Carlo Rizzo

Fluid spaces of belonging and transformation

by Pablo Del Val

Curating an art fair for the Global South: the case of Art Dubai

by Preeti Kathuria

Curate — Speculate: Indian Contemporary Art and the Socio-Ecological Contingency

by Hadas Kedar

Destabilizing Curating: Southern Approaches to Art

by Ruxmini Choudhury

Reframing Dhaka Art Summit through my personal journey

by Nicolas Bourriaud

Nothing Can Be Linear Anymore

Imprint

by Ronald Kolb, Dorothee Richter, Shwetal Patel

Editorial "Speculations: Funding and Financing Non-Profit Art"

by Dorothee Richter, Shwetal A. Patel, and Ronald Kolb

Economics the Blockbuster. Interview with Poppy Bowers, Kathrin Böhm, and Kuba Szreder (Centre for Plausible Economies), and Alistair Hudson

by Marina Vishmidt

From Speculation to Infrastructure: Material and Method in the Politics of Contemporary Art

by Mi You

Another Currency, Another Speculation: Reflections on Art and Economies Projects at documenta fifteen

by Bassam El Baroni

Whither the Exhibition in the Age of Finance?

by Ronald Kolb, Shwetal A. Patel, Dorothee Richter

“Plumbing the System” at the Dutch Pavilion. Interview with Aric Chen, Jan Jongert / Superuse, Carlijn Kingma

by Isabelle Graw

Welcome to the Resort Six Theses on the Latest Structural Transformation of the Artistic Field and Its Consequences for Value Formation

by Tanya Abraham

Rethinking Funding for the Arts in India

Delphine Buysse in collaboration with Mame Farma Fall

Intersecting Trajectories and Funding Paradigm Shifts in the Cultural Sector: A Perspective from Dakar

by Elif Carrier

Overpriced, Under-represented, Gate Guarded; The Last Ten Years of the Art Market

by Laura Alexander and Myriam Vandenbroucke

Forces of Art: Monitoring and Evaluation as a Situated Knowledge-Making Practice

by Antonio Cataldo

What Is Autonomy, and for Whom Is Autonomy?

by Shwetal Patel

Beyond the White Cube: An Interview with Renzo Martens

by Shwetal A. Patel

“How to Biennale! The Manual” (2018)

by Kuba Szreder

#biennale or A is for Artyzol

Imprint

by Anja Wernicke and Michael Kunkel

Editorial "No Cure: Curating Musical Practices"

by Paul Stewart

Editorial "Curating the Digital Expanded"

保罗·斯图尔特（Paul Stewart）翻译：张唯一

编者语

by Li Ruixuan

Starting From Un-Curating the Digital: A Collaborative Editorial Practice

李汭璇

始自数字化的“非策展”：一次协作编辑实践

by Dorothee Richter

Curating the Digital – A Historical Perspective

多萝西·里希特（Dorothee Richter） 翻译：张唯一

从历史视角看数字化策展

by Sabine Himmelsbach

Presenting, Mediating, and Collecting Media Art at HEK (House of Electronic Arts), Basel

萨宾娜·希墨尔斯巴赫（Sabine Himmelsbach） 翻译：蒋子祺

展示、传递及收藏媒体艺术——巴塞尔电子艺术中心的实践

Conversation with Chen Xiaowen, Li Zhenhua, and Bi Xin

Accessibility to Media and Technology: 30 Years of Digital Art Curation in China

与陈小文、李振华、毕昕对谈

媒介与技术的可介入性：中国数字艺术策展三十年

by KA Bird and Paul Stewart in Conversation with Helen Hester

A Conversation on Digital Communities, Domestic Space, and Things We Do Online

KA·伯德、保罗·斯图尔特与海伦·海斯特的对话 翻译：邓家杰

关于数字社群、家庭空间和线上活动的对话

Conversation with Artist Y, Yang Jing, and Zhou Jiangshan

Dialogue System, Game Making, and Data Circulation, Are These a Form of “Curating”?

与艺术家Y、杨静、周姜杉访谈

对话系统、游戏制作和数据传播，这算不算是一种“策展”呢？

Ruth Patir in Conversation with Joshua Simon

“Don’t Hate the Meme, Hate the Algorithm”

鲁思·帕蒂尔与约书亚·西蒙的对话 翻译：陈粤琪

“不要讨厌迷因，去讨厌算法吧”

by New Scenario

Online Exhibitions: The Curator as Director

新场景（New Scenario） 翻译：陈粤琪

在线展览：作为导演的策展人

by Dorothee Richter

(NON-)THINGS or Why Nostalgia for the Thing is Always Reactionary

多萝西·里希特（Dorothee Richter） 翻译：张唯一

(非）实物/为什么对于“物”的怀旧总是反动的

by Michał Libera

Everyday Workouts in Minor Curating

by Jennifer Kessler

A Multi-Layered Approach to Equity in the New Music Field

by Bernhard Guenther

Bringing People Together is the Core of Curating

by Irena Müller-Brozović

Curating Resonances through Creating Relationships

by Will Dutta

The Curating Composer

by Thomas Burkhalter

20 Years, 13 Curatorial Principles Norient: From the World of Tastemakers to the Time of Identity Politics

by Ioannis Paul

CURATING CONTEMPORARY MUSIC ONLINE Premieres in Private Spaces and Muvid-19: Two Exemplary Artistic Responses to the Covid-19 Pandemic

by Anja Wernicke

“How Do We Listen?” Interview with Elina Waage Mikalsen

by Anja Wernicke

From Sound Art in the Public Space to Sound Studies Research in Sacred Places: Interview with Guely Morató and Víctor Mazón Gardoqui from Sonandes (Bolivia)

Imprint

Imprint

by Sigrid Gareis, Nicole Haitzinger and Jay Pather

Editorial "Curating Dance: Decolonizing Dance"

by Sigrid Gareis

What Is a Curator in the Performing Arts?

by Nicole Haitzinger

Curating Dance: On est ensemble? Expanded Choreography and Vulnerability

by Gwendolin Lehnerer

Transdisciplinary Curation in the Performing Arts

by Gurur Ertem

Promises and Pitfalls of “Political” Curating in Live Arts

by Kirsten Maar

How to Do Things with Care: Feminist Curating in Dance

by Sigrid Gareis and Nicole Haitzinger

The Artist as Curator/The Curator as Artist. Interview with Michiel Vandevelde

by Rainy Demerson

Artistic Reparations: The Curious Curation of African Contemporary Dance

Jay Pather with Choy Ka Fai, Sigrid Gareis, Lia Rodrigues, and Jessica Lauren Elizabeth Taylor

Twists: Dance and Decoloniality

A conversation between jackï job and Rolando Vázquez Melken

Nurturing the Relational Body: Decolonizing Dance Pedagogies

by Amanda Piña

Choreography as Curation, Curation as Cure

by Miriam Althammer

Dance House Organisms: Reflections on Institutional Ecologies (for a Future Dance House in Europe)

by Ong Keng Sen

The Practice of Planetary Care and the No-thing that Remains: An Exercise in Co-Thinking Contemporary Art Exhibitions and Dance Festivals

by Jörn Etzold

Dramaturge, Curator, Post-Dramaturge: Towards a Change of Paradigm in German-Speaking Theatre and Dance Institutions and Infrastructures

by Kai van Eikels

Replacing Institution with Infrastructure: An Approach to Collective Curating

Imprint

by Ronald Kolb and Dorothee Richter

Editorial "documenta fifteen—Aspects of Commoning in Curatorial and Artistic Practices"

by Nanne Buurman

The Exhibition as a Washing Machine? Notes on Historiography and (Self-)Purification in documenta’s Εarly Εditions

by Elly Kent

The History of Conscious Collectivity Behind Ruangrupa

by Dorothee Richter

Curatorial Commons? A Paradigm Shift

by Wulan Dirgantoro and Elly Kent

We need to talk! Art, offence and politics in Documenta 15

by Ronald Kolb

documenta fifteen’s Lumbung: The Bumpy Road on the Third Way: Fragmentary Thoughts on the Threats and Troubles of Commons and Commoning in Contemporary Art and Knowledge Production

by Tanya Abraham and Maayan Sheleff

Reflections on the Workshop “Untitled (Re-curating documenta fifteen)”

by Séverine Marguin and Dagmar Pelger

Art-based Commoning? On the Spatial Entanglement of Cultural and Urban Politics Through the Example of Project Spaces in Berlin

by Unchalee Anantawat, Ariane Sutthavong, Lara van Meeteren, Bart Wissink

On the Ideological Flexibility of the Cultural Common(s): The Many Lives of Thailand’s Art Lane

by Anna L. Tsing, Jennifer Deger, Alder Keleman Saxena and Feifei Zhou

Feral Atlas and the More-than-Human Anthropocene

by David Behar Perahia and Dan Farberoff

Commoning: Environmental Reconciliation in the Work of Common Views

by Oliver Marchart

Public Movement. The Art of Pre-Enactment

by Grégoire Rousseau and Nora Sternfeld

Educating the Commons and Commoning Education: Thinking Radical Education with Radical Technology

by Christoph Brunner

Concatenated Commons and Operational Aesthetics

In Conversation with Anastasia Baka, Leilani Lynch, and Anna Wälli

Britto Arts Trust: Tayeba Begum Lipi and Mahbubur Rahman

in Conversation with Leilani Lynch and Maria Mumtaz

Gudskul’s Marcellina Putri, Gesyada Siregar, and MG Pringgotono

in Conversation with Sophie Brunner, Marinella-Sofia Gkinko, and Maria Mumtaz

Jatiwangi art Factory (JaF): Ismal Muntaha and Al Ghorie

in Conversation with Rosela del Bosque, Olena Iegorova and Veronica Mari

Más Arte Más Acción: Jonathan Colin, Alejandra Rojas, Rossana Alarcón and Carmenza Rojas

Hajnalka Somogyi, Eszter Lázár, Nikolett Eross, Katalin Székely, Bori Szalai, and Eszter Szakács in Conversation with Anna Konstantinova and Giulia Busetti

A Defibrillator for the Independent Art Scene: OFF-Biennale Budapest

in Conversation with Smadar Samson and Giulia Busetti

Project Art Works: Kate Adams and Patricia Finnegan

Interview by Anastasia Baka and Giulia Busetti

Thinking Beyond the Donor Economy: Collectivity as the Answer to the Question of Funding

An Interview with Morten Goll, Trampoline House in Conversation with Nadine Bajek, Thamy Matarozzi, Alejandra Monteverde, and Anna Wälli

A New Home for Trampoline House

In Conversation with Chiara Borgonovo, Rosela del Bosque, Marina Donina, and Lotte Van Ermengem

Wajukuu Art Project: Shabu Mwangi and Ngugi Waweru

In Conversation with Marina Donina and Regina Tetens

Zentrum für Kunst und Urbanistik Berlin: Philip Horst (copy)

Imprint

by Ronald Kolb and Dorothee Richter

Editorial "Situated Knowledges – Curating and Art on the Move"

by Angela Dimitrakaki

From Space to Time: “Situated Knowledges,” Critical Curating, and Social Truth

by Jeanne van Heeswijk and Whitney Stark

Training for Together: Extended Bodies Exercise

by Ronald Kolb

Situated Knowledges and Interdependence in the Exhibitionary-Educational Complex

by Lee Weinberg and Alison Green

Cacoethes*

by Antonio Cataldo

Curing the Archive Fever: Filling the Gaps Through Situatedness

by Basia Sliwinska and Caroline Stevenson

Whisper Game: Practising Attention Through Caring and Pacing

by Janet Fong Man Yee

New Horizons: Ways of Seeing Hong Kong Art in the ‘80s and ‘90s: An Integrated Approach to Curatorial Practices on Exhibition-Making

by Debe Sham and Georgia Kennedy

Cloth Knowledge: Sculpting with a Missing Corner

by Bo Choy and Chloe Ting

Situated Knowledge, Situated Works

Nadim Abbas, Rose Li, Edward Sanderson (with Fiona Lee Wing-shan), Lang Tu (with Anouchka van Driel)

FoMO FREE RADIO

by Noit Banai and Dani Gal

Memory Communities at the Crossroads

by Ronald Kolb and Dorothee Richter

Scores – From Situated Knowledges to Shared Action

Imprint

by Helena Reckitt and Dorothee Richter

Editorial "Instituting Feminism"

Section 1: Definitions and Urgencies

by Angela Dimitrakaki and Nizan Shaked

Feminism, Instituting, and the Politics of Recognition in Global Capitalism

by Nanne Buurman

From Prison Guard to Healer: Curatorial Subjectivities in the Context of Gendered Economies

by Secretariat for Ghosts, Archival Politics and Gaps (SKGAL)

Dear Sibila: We are Freelance Feminist Instituting from our Homes, Aren’t You?

Dorothee Richter

Spoiler Alert: Instituting Feminism Will Not Work Without a Fight

SECTION 2: Theory into Practice: Feminist Instituting Then and Now

Emelie Chhangur interviewed by Jennifer Fisher

Institutional Inreach as a Feminist Curatorial Methodology

by Husseina Hamza, Joyce Jacca, Tracey Jarrett, and Janna Graham

Instituting and Organising “From the Pockets”: A Field Report from a Museum in the Making

by la Sala (Alba Colomo & Lucy Lopez)

cultivating la Sala: instituting from the kitchen table

by Adele Patrick

Digging Deep: Leadership, Learning, and Endurance. A Conversation between Nandita Gandhi, Althea Greenan, Merete Ipsen, and Adele Patrick

by Alex Martinis Roe and Helena Reckitt

Relationality in Feminist Collective Practice

by Cornelia Sollfrank

The Art of Getting Organized. A Different Approach to Old Boys Network

by Berit Fischer

Mestiza Consciousness and Sentipensamiento—Ontologies for a Feminist Instituting

SECTION 3: Curatorial Herstories

by Romane Bernard, Sofia Cecere, Thelma Gaster, Jeanne Guillou, Barbara Lefebvre, Séraphine Le Maire, Oksana Luyssen, Rose Moreau, Jeanne Porte, Laurence Rassel, and Miska Tokarek

Now Imagine That We Are a Village

by Ann Sutherland Harris, Daria Khan, Rosa Martínez, Camille Morineau, Maura Reilly, and Catherine de Zegher

Feminist Curating as Curatorial Activism: A Roundtable

by Ève Chabanon, Anna Colin, and Madeleine Planeix-Crocker

Crossed Perspectives on Collaboration

by Erin L. McCutcheon

When in Doubt… Ask: Feminists Take on the Museum Retrospective

by Sharlene Khan

A Sense of Belonging—Natasha Becker’s Black Feminist Radical Love Curatorial Practice

by The Two Talking Yonis

Women Themed Exhibitions: Aaargh! “Aaargh!”

by Elena Zaytseva

A Box of Her Own: On the Affective Power of Russian Art Archives

Imprint

by Martin Patrick and Dorothee Richter

Editorial "Fluxus Perspectives"

by Dorothee Richter

Flux Us Now! Fluxus Explored With a Camera

by Natilee Harren

The Fluxus Virtual, Actually

by Hannah B Higgins

Intermedial Perception or Fluxing Across the Sensory

by Julia Robinson

Parsing Scores: Application in Fluxus

by Hanna B. Hölling

Unpacking the Score: Notes on the Material Legacy of Intermediality

by Emmett Williams

My Life in Flux -- And Vice Versa (excerpts)

by Ann Noël

Journals (excerpts)

by Billie Maciunas

The Eve of Fluxus: A fluxmemoir (excerpts)

by Weronika Trojanska

Fluxus is just beginning: An interview with Jeffrey Perkins and Jessie Stead

by Ken Friedman

Fluxus Legacy

by Jordan Carter

Ribbit, Riot: Benjamin Patterson’s When Elephants Fight, It Is the Frogs That Suffer—A Sonic Graffiti

by Kevin Concannon

Yoko Ono’s Touch Piece: A Work in Multiple Media, 1960–2009

by Martin Patrick

Iconoclastic and Irreverent (Buddhist-inflected) Simplicity in Fluxus Performance and Artworks

by Peter van der Meijden

Banking with Fluxus, Then and Now

by Natasha Lushetich

Whatever Happened to the Judo Throw? Fluxus and the Digital Gimmick

by Henar Rivière

Wolf Vostell’s dé-coll/age Magazine: The Editorial Design of Action Art

by John Held, Jr.

Harboring Hidden Histories: Mail Art’s Reception in United States Institutional Archives

by Simon Anderson

Mail Art and Fluxus: An Antic Exhibition from 1982

by Owen F. Smith

Speaking Personally: Some Topics of Correspondence Between Fluxus Artists on Fluxus

Imprint

by Marianne Eigenheer

Foreword

by Dorothee Richter And Barnaby Drabble

Curating Critique – An Introduction

by Dorothee Richter and Rein Wolfs

Institution as Medium. Curating as Institutional Critique?

by Oliver Marchart

Curating Theory (Away) the Case of the Last Three Documenta Shows

by Dorothee Richter

A Platform and Some Projects, Postgraduate Program in Curating, Zurich

by San Keller

Carte Blanche: MINUTES: PREVIEW

by Irene Grillo and Maren Brauner (Editing: Benjamin Weiss)

Walking as a Form of Critical Curating

by Dorothee Richter and Rein Wolfs

Editorial "Institution as medium. Curating as institutional critique? Part 2"

by Dorothee Richter

Some thoughts

by Helmut Draxler

Crisis as form. Curating and the logic of Mediation.[1]

by Beryl Graham

Self-Institutionalisation: Who, in what kind of system?

by Giovanni Carmine and Hassan Khan

Possible Encounters

by Damian Jurt

Scénarios

by Marysia Lewandowska and Neil Cummings

Museum Futures: Live, Recorded, Distributed

by Yael Eylat Van-Essen

Institutional Critique and the City Museum of Tel Aviv

by Maja Ciric and Isin Onol

Can Curating be Taught?

Imprint

by Sarat Maharaj

Merz-Thinking – Sounding The Documenta Process Between Critique And Spectacle

by Beatrice Von Bismarck

Curatorial Criticality – On The Role Of Freelance Curators In The Field Of Contemporary Art

Per Hüttner And Gavin Wade In An Interview With Barnaby Drabble

Experiments Along The Way –I Am A Curator And Support Structure

by Ruth Noack And Roger M. Buergel

Words From An Exhibition

by Rebecca Gordon Nesbitt

False Economies – Time To Take Stock

Maria Lind In An Interview With Paul O’neill

Going Beyond Display – The Munich Kunstverein Years

by Oliver Marchart

The Curatorial Function – Organizing The Ex/Position

by San Keller

Carte Blanche: MINUTES: PRE-, PRE-, PRE-, PRE-, PREVIEW

by Dorothee Richter

Exhibitions As Cultural Practices Of Showing: Pedagogics

by Renata Stih and Frieder Schnock

Who Needs Art, We Need Potatoes

by San Keller

Carte Blanche: MINUTES: PRE-, PRE-, PRE-, PREVIEW

Beryl Graham And Sarah Cook In An Interview With Barnaby Drabble

Curating Art After New Media – On Technology, Transparency, Preservation And Play

by Maria Lind

Contemporary Art and its Institutional Dilemmas

by San Keller

Carte Blanche: MINUTES: PRE-, PRE-, PREVIEW

by Marion Von Osten

Producing Publics – Making Worlds! On The Relationship Between The Art Public And The Counterpublic

by Søren Grammel

A Series of Acts and Spaces

by San Keller

Carte Blanche: MINUTES: PRE-, PREVIEW

by Sarat Maharaj And Gilane Tawadros

‘We Were Nobody. We Were Nothing’: Sounding Modernity & ‘Memories Of Underdevelopment’

by Olga Fernández

Just What is it That Makes 'Curating' so Different, so Appealing?

by San Keller

Carte Blanche: MINUTES: PREVIEW

Ute Meta Bauer In An Interview With Marius Babias

Easy Looking – Curatorial Practice In A Neo-Liberal Society

Imprint

by Walter Grasskamp

The White Wall – On The Prehistory Of The ‘White Cube’

by Walter Grasskamp

Imprint

by Hadas Kedar

Editorial "Extreme"

1 Art and Curating Celebrates Difference: Turning Towards Local and Subjugated Knowledge

by João Pedro Amorim and Nuno Crespo

Art as Expanded Rationality

by Jacqueline Kok

Tracing Resistance

by Renan Laru-an

General Nourishment: The Aga Khan Museum of Islamic Arts in Marawi

2 The Ecology Crisis: Can Art Fill the Communication Gap?

by Sebastian Cichocki

Wonders in the Heavens and in the Earth: Notes from the Dormant Exhibition

by Dennis Dizon

Toward an Ecological Singularity

by Helene Romakin

Extremely Unagitated—A Closer Look at the Artistic Practice of Lara Almarcegui

3 Art and Curating in Conflict Zones

by Carla Gimeno Jaria

What Borders Can Do

by Nadim Samman

Errant Curating

by Ronny Hardliz

“and here I am”—De-Colonial Aspects of Advanced Curatorial Work (of Art)

by Galit Eilat

“If You Want To Run Fast, Run Alone. If You Want To Run Far, Run Together.” * African proverb

by Johanne Løgstrup

Museums as Contact or Conflict Zones

by Anastasia Chaguidouline

Borders and Forms

4 Free Culture: Post-Humanist Technologies and Algorithms as Alternatives to Techno-Capitalist Industrial Society

by Laura Netz

Vitalist Materialism—Life Mining

by Park C. Myers

Algorithmic Extremes in Terram in Aspectu

Imprint

by Jyoti Mistry and Nkule Mabaso

Introductory Comments: initiatives and strategies

On Art Institutions

by Jyoti Mistry and David Andrew

ArtSearch: Punch and Judy, Pavements and Ponzi Schemes

by Zen Marie

The Paradox of the Art School in a University

by Bongani Mkhonza

Relocating the Centre: Decolonising the University Art Collections in South Africa

by Unathi Kondile

Ukuqhuqh Inkwethu yobuKoloniyali: Getting Rid of the Thick Layer of Colonial Dandruff on our Heads

by Bekele Mekonnen

Reshaping Wax: Addis Ababa—the Alle School of Fine Arts and Design

Interview: Henri Kalama by Ruth Sacks

Painting in the Democratic Republic of the Congo: Culture and Identity

Interview: Miguel Marrengula by Nkule Mabaso

Building a School of Thought, the Case for ISADEL Mozambique

Photo Gallery

On Artistic Practice

by jackï job

Butoh and the Third Space: Inhabiting Difference and Difficulty in Academia and the Performing Arts in South Africa

by Sharlene Khan

I Make Art – Voicing Voice, Speaking Self and Doing Criticality

Interview: Nwabisa Plaatjie by Lindokuhle Nkosi

Land as Milk: The Body as a Border

Interview: Nomcebisi Moyikwa by Linda Makgabutlane

Qash-Qash: One Mirror Image of Black Womanhood

by Nomusa Makhubu

Performing Blackface: Reflections on Zanele Muholi’s Somnyama Ngonyama

by Nobunye Levin

Willful Walking

by Nduka Mntambo

Decartographical Sketches

by Jay Pather

Caught up in Multiply-Layered Skirts or What’s a Stripper Doing in Julius Caesar ?

Imprint

by Brandon Farnsworth, Rosanna Lovell

Editorial "GRiNM x OnCurating"

by Anke Charton

Diversity and New Music: Interdependencies and Intersections

by Dr Christina Scharff

Explaining Inequalities in the Classical Music Profession

by Valentina Bertolani and Luisa Santacesaria

Curating Diversity in Italy: Gender and Ethnic Distribution in Contemporary and Experimental Music Programming

by Gina Emerson

What Do Audiences Want? Data-Informed Curation for Diverse Audiences in New Music

by Sandeep Bhagwati

New Music: Towards a Diversity of Practices

by Ronald Kolb and Dorothee Richter

Editorial "Zurich Issue: Dark Matter, Grey Zones, Red Light and Bling Bling"

Eva Maria Würth interviewed by Dorothee Richter

Between Art and Politics: Eva-Maria Würth

Giovanna Bragaglia, Miwa Negoro, and Camille Regli

I might be wrong: Focus on Off-Spaces—Unravelling Success in a Discursive Series

by Brandy Butler, Yara Dulac Gisler, Deborah Joyce Holman, and Sarah Owens

A discussion on Blackness and the Arts in Switzerland

by Jose Cáceres Mardones

In Search of the Locality of Globalization—Ursula Biemann’s Postcolonial Critique

by Pablo Müller

Dead End?

by Tanja Trampe

CAN I WORK LIKE THIS? In Search of Presence in Pandemic Times

Interviewed by Ronald Kolb

Nadja Baldini

Interviewed by Dorothee Richter

Elisabeth Eberle

By Marina Vishmidt

The Aesthetic Subject and the Politics of Speculative Labor

Interviewed by Gözde Filinta

Failure Is A Possibility Interview With Cathrin Jarema And Clifford E. Bruckmann

by Cathrin Jarema and Clifford E. Bruckmann

Statement on the Covid Situation

by Jose Cáceres and Noriko Yamakoshi

la_cápsula—between Latin America and Switzerland: An Exploration in Three Acts

Interviewed by Ronald Kolb and Dorothee Richter

Brand-New-Life

Interviewed by Daniela Hediger

Andreas Marti, Dienstgebäude

Interviewed by Tea Virolainen

Kristina Grigorjeva, curator at BINZ39

Interviewed by Eveline Mathis and Beatrice Fontana

Die Diele and Sihlhalle

Interviewed by Anastasia Chaguidouline

Hidden Spaces and Heavy Satin—Last Tango

Interviewed by Domenico Ermanno Roberti, Beatrice Fontana, and Eveline Mathis

LONGTANG

Interviewed by Domenico Ermanno Roberti

Nicola Kazimir, Mikro

Interviewed by Alina Baldini

nano—Raum für Kunst, Zurich Interview with Maria Bill, Antonia Hersche, and Regula Weber

Interviewed by Beatrice Fontana

Romano Zerbini, Photobastei

Interviewed by Domenico Ermanno Roberti

Mitchell Anderson, Plymouth Rock

Interviewed by Noémie Jeunet

Sabina Kohler, jevouspropose

Interviewed by Patrycja Wojciechowska

U5

Interviewed by Marco Arrigoni

Book as Art or Reading as Seeing: Volumes—Anne-Laure Franchette, Art Director at Volumes

by Rafia Kodmani

Sculpting Through the Ashes, the Journey of Allam Fakhour

Interviewed by Gözde Filinta

Thinking Alone Is Criminal: Artist Maya Minder

Interviewed by Oliver Rico

Esther Kempf

Interviewed by Oliver Rico

Giampaolo Russo

Interviewed by Daniela Hediger

Enriching the Homogenic Zurich Art Scene: Esther Eppstein

Interview by Sergio Edelsztein

Four Years After Manifesta 11: Christian Jankowski

Interviewed by Gözde Filinta

Constellations of Knowledges: Annette Bhagwati

Interviewed by Dorothee Richter

Fredi Fischli and Niels Olsen

Interviewed by Abongile Gwele and Patrycja Wojciechowska

Marc Streit

Interviewed by Ronald Kolb and Dorothee Richter

Barbara Basting, Cultural Department of the City of Zurich

Interviewed by Alina Baldini and Tea Virolainen Jordi

Christoph Doswald, Chairman of the Working Group for Art in Public Space, KiöR

Interviewed by Ronald Kolb

Roger M. Buergel, Johann Jacobs Museum

Interviewed by Arianna Guidi and Myriam Boutry

An Ecosystem at Work—Mirjam Bayerdörfer

Interviewed by Arianna Guidi, Jose Cáceres Mardones, Myriam Boutry

Shedhalle Contaminated—Interview with Thea Reifler and Phila Bergmann

Interviewed by Anastasia Chaguidouline and Elena Vogiatzi

I don’t want to be an artist. I want to be a King. Adrian Notz (Cabaret Voltaire 2004-2019)

Interviewed by Beatrice Fontana and Noémie Jeunet

Interview with Evelyn Steiner, Curator at ZAZ—Zentrum Architektur Zürich

Interviewed by Alina Baldini and Annick Girardier

Museum of Digital Art—MuDA—Zurich: Christian Etter

Interviewed by Marco Arrigoni

Art as a Prize: the Zurich Art Prize Sabine Schaschl, Director of Museum Haus Konstruktiv

Interviewed by Maya Bamberger

“There is no magic”: An Interview with Art Dealer Eva Presenhuber

Interviewed by Patrycja Wojciechowska

Karma International

Interviewed by Giulia Frattini

Art In The Digital Age: Nina Roehrs, Roehrs & Boetsch

Interviewed by Alina Baldini

Lullin + Ferrari: Interview with Corrado Ferrari

Imprint

by Delia Popa

Cautious Mouse Holding the World

by Ronald Kolb, Shwetal A. Patel, Dorothee Richter

Editorial "Contemporary Art Biennales – Our Hegemonic Machines in Times of Emergency"

by Daniel Knorr

European Influenza

1 – Biennial Discourse

by Oliver Marchart

The Globalization of Art and the “Biennials of Resistance: A History of the Biennials from the Periphery

by Roma Jam Session art Kollektiv

Detox Dance

by Federica Martini

Art Worlds into Real Worlds: A Conversation with Alfredo Jaar

by Delia Popa

Mice Insanity

by Christian Morgner

Inclusion and Exclusion in the Art World: A Sociological Account of Biennial Artists and Audiences

by Diana Dulgheru

50 HZ

by Shwetal A. Patel

Resisting Biennialisation: Institutional and Community Responses to the Kochi-Muziris Biennale

by Fatoş Üstek

Hashtag biennale 519,024 posts (May 12, 2020)

by Ronald Kolb

The Curating of Self and Others— Biennials as Forms of Governmental Assemblages

by Daniel Knorr

Instant Community

2 – Questionnaire

by Farid Rakun

Questionnaire

by Raqs Media Collective

Questionnaire

by Martin Guinard

Discussion between Bruno Latour, Eva Lin, and Martin Guinard

by Defne Ayas and Natasha Ginwala

Questionnaire

by Ekaterina Degot

Questionnaire

by Dorothee Richter

Conversation with Bonaventure Soh Bejeng Ndikung

by Yung Ma

Questionnaire

by Eva González-Sancho Bodero and Per Gunnar Eeg-Tverbakk

Questionnaire

by Raluca Voinea

Questionnaire

by Răzvan Ion

Questionnaire

by Daniel Knorr

Trams and Institutions

3 – Bienal de La Habana

by Gerardo Mosquera

The Third Bienal de La Habana in Its Global and Local Contexts

by Agustina Andreoletti

A New Change of Course: Distributed Biennialism in Latin America

by Anita Orzes

Curatorial Networks: The Havana Biennial and the Biennials in the South

4 – Biennials Between Hegemony and Disobedience

by Lara van Meeteren and Bart Wissink

Biennials and Hegemony: Experiences from the Thai Laboratory

by Xinming Xia

The Yinchuan Biennale: The Belt and Road Initiative and the Artistic Practices Linking East and West

by Sarat Maharaj

Concept: Farewell to Post-Colonialism Farewell to Postcolonialism, Towards a Post-Western Modernity, Guangzhou Triennial, Guwangzhou, (2008)

by Sarat Maharaj

Sublimated with Mineral Fury prelim notes on sounding Pandemonium Asia

by Patrick D. Flores

“Time to Unlearn”: Urgency and Practical Intelligence in the Southeast Asian Museum

by Melody Du Jingyi* & Wilson Yeung Chun Wai*

Curatorial ‘Tactic’: Reflections on the Dialogues of the 12th Shanghai Biennale

by Raqs Media Collective

Freeing the Weights of the Habitual

by Sven Christian

Tomorrow There Will Be More of Us: Art as a Contact Zone

by Yacouba Konaté

The Invention of the Dakar Biennial (2009)

by Rasheed Araeen

Dak’art 1992–2002 The Problems of Representation, Contextualisation, and Critical Evaluation in Contemporary African Art as Presented by the Dakar Biennale

by Brandon Farnsworth

Biennials and their Siblings: Towards an Interdisciplinary Discourse on Curating Performance

Interview by Anna Manubens

A Conversation on osloBIENNALEN with Eva González-Sancho and Per Gunnar Eeg-Tverbakk

by Robert E. D’Souza

Before, During, After Biennale

by Nora Sternfeld

Museum of Burning Questions: Negotiating with Reality at the 2016 Bergen Assembly

by Teobaldo Lagos Preller

Bergen Assembly 2019, 11th Berlin Biennale 2020, the Virus, Life, and New Places

by Panos Kompatsiaris

Curating Resistances: Ambivalences and Potentials of Contemporary Art Biennials

by Katerina Valdivia Bruch

11th Berlin Biennale: On the Human Condition

By Daniela Labra

Processual and Transcultural: the 11th Berlin Biennale and the 34th São Paulo Biennial

By Catalina Imizcoz

The Modern Paradigm and the Exhibitionary Form: The Case of Altermodern

By Giulia Colletti

Overwriting: In Praise of a Palimpsestuous Criticality

By Miriam La Rosa

A Guest on the Edge: Manifesta and the Quest for European Unity and Solidarity

By Nathalie Zonnenberg

A Planetary Garden in Palermo: Manifesta 12 as Ambassador for the New Politics of Aesthetics?

By Manifesta 12 Creative Mediators: Bregtje van der Haak, Andrés Jaque, Ippolito Pestellini Laparelli, Mirjam Varadinis

The Planetary Garden. Cultivating Coexistence.

WHW in conversation with Omar Kholeif

Curating the Revolution: Meeting Points 7 [1]

by Amy Bruce

Is a Good Neighbour…? Semts, Scale and the 15th Istanbul Biennial

by Resmi Görüş

Interview with Vasif Kortun and Charles Esche

by Henk Slager

Chronosites

by Răzvan Ion

Edit Your Future: Perspectives on Biennials as Civil Society Initiatives

by Vasyl Cherepanyn

East Europe Biennial Alliance

by Ksenija Orelj

We’re Off

5 — documenta

by Catherine David

documenta X

by Okwui Enwezor

The Black Box

by Rime Fetnan

Biennials and Cultural Difference: Between Critical Deconstruction and Essentialism

by Mona Schubert

How Photography (Re-)entered documenta

by Sabeth Buchmann and Ilse Lafer

On the Documenta 14 in Athens

6 — La Biennale di Venezia

by Beat Wyss

Globalization of the Periphery: The Venice Biennale Project

by Vittoria Martini

The Evolution of an Exhibition Model. Venice Biennale as an Entity in Time

by Julia Bethwaite and Anni Kangas

The Paradoxes of the Biennale

by Federica Martini

One Biennale, Many Biennials

by Louli Michaelidou

Cyprus in Venice: Art, Politics, and Modernity at the Margins of Europe

by Alessia Basilicata

Venice Biennale: A Showcase for the American Debut in Global Art. American Storytelling Through Cultural Journals

by Marco Baravalle

On the Biennale’s Ruins? Inhabiting the void, covering the distance*

by Vittoria Martini

Venice, the Biennale and the Bees

Imprint

by Dorothee Richter and Paul Stewart

Editorial "Curating the Digital – Curating and Art Practice: Contemporary Considerations on Automation, Place, and Digital Communication"

by Serge Vuille

Structural Rigidity as a Barrier to Diversity

by Julia Eckhardt

An Ariadne Thread

by Sharon Chan

Unfamiliar Sound in Familiar Places: Creating Site-specific Performances in Hong Kong

by Kajsa Antonsson, Anna Jakobsson

The Quick Fix: Thoughts on Chance and Community in New Music

by Stellan Veloce, Rosanna Lovell, Lucien Danzeisen

FEM*_ MUSIC*_ : Collective Feminist Activism Within and Beyond the University

by Camilla Overgaard, Susanne van Els

Diversity in Higher Music Education: An E-mail Interview with Camilla Overgaard and Susanne van Els

by Sine Tofte Hannibal

What’s in the Repertoire? Statistics for Danish Symphony Orchestras, Operas, Ensembles and Music Festivals 2015–2018

by Brandon Farnsworth and Rosanna Lovell

A Discussion with Dahlia Borsche

by Dorothee Richter

Curating the Digital – A Historical Perspective

by Sabine Himmelsbach

Presenting, Mediating, and Collecting Media Art at HeK, House of Electronic Arts Basel

by Paul Stewart

“Non-Place” and Movement: An Interview with Amanda Beech

by Manuel Roßner

Imagine Universal Basic Income

An Interview between Philip Howe and Yuri Pattison

Reliable Communications

by New Scenario

Online Exhibitions: The Curator as Director

by KA Bird and Paul Stewart in Conversation with Helen Hester

A Conversation on Digital Communities, Domestic Space, and Things We Do Online

by Paul Stewart

Visual Essay

Ruth Patir in Conversation with Joshua Simon

“Don’t Hate the Meme, Hate the Algorithm”

by Dorothee Richter

(NON-)THINGS or Why Nostalgia for the Thing is Always Reactionary

Imprint

Imprint

by Lars Petter Hagen

Introduction: Defragmentation – Curating Contem­porary Music

by Kenneth Goldsmith

UbuWeb: An Accidental Archive

by George E. Lewis

A Small Act of Curation

by Heloisa Amaral

Producing Situations: How Performer-Curators Are Rethinking Roles and Formats

by Katja Heldt

How Do We Listen? An Interview with New Music Curator Kamila Metwaly

by Patrick Frank

Affirmative Critique

by Du Yun

Who Owns Asian Culture? Not Me

Imprint

by Dorothee Richter and Ronald Kolb

Editorial "Revisiting Black Mountain Cross-Disciplinary Experiments and Their Potential for Democratization"

by Ronald Kolb with Bitten Stetter, Brandon Farnsworth, Dorothee Richter, Jochen Kiefer, Martin Jaeggi, Paolo Bianchi

An e-mail conversation on the background of the Revisiting Black Mountain project at ZHdK

by Andres Janser

Revisiting Black Mountain × Museum für Gestaltung Zürich

by Daniel Späti

Shared Campus

by Steven Henry Madoff

Black Mountain: Pedagogy of the Hinge

by Dorothee Richter

Revisiting Black Mountain College. Teaching to Transgress

How we live now – Art System, Work Flow and Creative Industries

by Cornelia Sollfrank

Commoning the Institution – or How to Create an Alternative (Art School), When “There Is No Alternative.”

by Annemarie Bucher

Emphasizing the “Co”-Factor: Practicing, Teaching, and Learning the (Fine) Arts Outside the Curricula

by Jochen Kiefer

Ambiguous Dramaturgies and Crude Curation

by Mieke (Annemarie) Matzke, She She Pop

Utopian Forms of Communication

by Susanne Kennedy

The Infinite Game of Becoming

by Brandon Farnsworth

“We have created a parody of these austere rituals which didn’t exist in the past”: Revisiting Music Education

by Johanna Bruckner

Terra Vague: Against the Ghosts of Land

by Olga von Schubert, Caroline Adler and Boris Buden

New Alphabet School (Haus der Kulturen der Welt: 2019–2021)

A collaborative exercise by Sascia Bailer, Lucy Bayley, Simon Fleury, Gilly Karjevsky, and Asli Uludag to reflect upon our shared experiences at Un-Learning Place at Haus der Kulturen der Welt

“Everyone is just watching what’s happening…”

Interview by Ronny Koren

Jeanne van Heeswijk

by Raqs Media Collective

Dreams of equal division of toxicity

Imprint

by Theodore (ted) Kerr

What You Don’t Know About AIDS Could Fill A Museum: Curatorial Ethics and the Ongoing Epidemic in the 21st Century

by Theodore (ted) Kerr

Framing The Issue

1 — FORGETTING

by Abdul-Aliy A. Muhammad and Louie Ortiz-Fonseca

A Brief History of HIV: A Conversation Between Two Friends

by Sheldon Raymore

Waniyetu Wowapi and HIV/AIDS

by Michael McFadden

Luckiest Guy

by Rahne Alexander

The Lost and The Found

by Adam Barbu and John Paul Ricco

Inheriting AIDS: A Conversation

by David Kahn and Brooklyn Historical Society

April 20, 1993

by Siân Cook

Graphic Ephemera Lasting Impact: Building an Online UK HIV/AIDS Design Archive

by Avram Finkelstein

AIDS, Coca-Cola, and the Tompkins Square Park Riot

by Kate Hallstead

A Body of Work: Corporeal Materials, Presence, and Memory in Jerome Caja’s Exhibition, Remains of the Day

by Dudu Quintanilha

In Case You Forgot How I Looked

by Carlos Motta

Legacy: ­A Timeline of HIV/AIDS

2 — SEEING

Artist Kelvin Atmadibrata in Conversation with Oral Historian Benji de la Piedra

HIV Ambivalence and Game-Playing Influence

by Emily Bass and Yvette Raphael

Looking for the Faces of Our Friends

by Edward Belleville

Stones and Water Weight: Working Out Past and Future with Mykki Blanco

by the People with AIDS advisory committee

The Denver Principles

A Conversation Between Szymon Adamczak, Luiza Kempińska, and Hubert Zięba

Poland and AIDS

by Theodore (ted) Kerr

From Tactic to Demand: HIV Visibility Within a Culture of Criminalization

by Demian DinéYazhi' and R.I.S.E.

HIV Affects Indigenous Communities

An Exchange to Expand on the PrEP Manifesto between Carlos Motta and John Arthur Peetz

Because PrEP is Not About AIDS

by Stamatina Gregory

Shooting Up in the Museum: Intravenous Drug Use in Brian Weil’s The AIDS Photographs

by Charan Singh

Among Four Friends: Conversations Before and in a Hospital Waiting Room

A Conversation Between Mavi Veloso and Nicholas D’Avella

Fingerprints, Unfinished

3 — COLLECTING

A Conversation Between Jean Carlomusto, Alexandra Juhasz, and Hugh Ryan

Abiding Relations Through Recovery, Restoration and Curation

by Marika Cifor

Status = Undetectable: Curating for the Present and Future of AIDS

by Lyndon K. Gill

Fieldnotes from the Afterlife: Lyle Ashton Harris’ Living Archive

by Heather Holmes

Public Ruptures, Public Readerships: AIDS in Writing

by Catalina Imizcoz

Precarious Structures: HIV, Museums, and History

by Renaud Chantraine, Florent Molle, Sandrine Musso

AIDS Politics of Representation and Narratives: A Current Project at the Museum of European and Mediterranean Civilizations (Mucem) in Marseilles, France

by Manon S. Parry

AIDS and the Medical Museum Gaze: Collecting and Exhibiting Science and Society

by Ricky Price

Viral Memories: The Making of Institutional History and Community Memory in the HIV/AIDS Crisis

by Nelson Santos

Love Happened Here

by Tacoma Action Collective

#StopErasingBlackPeople

4 — MAKING

by Jordan Arseneault

How to Have A Lecture Series In An Epidemic

by Rev. Michael J. Crumpler

Thoughts on How to Include Spirituality in Exhibitions about HIV and AIDS

by Emily Colucci

Touch Across Time: Familial Loss And Its Remains In Art During The Ongoing HIV/AIDS Pandemic

by Alper Turan

Positive Space: An Exhibition Project on HIV/AIDS in Turkey

by Vladimir Čajkovac

How to (Dis)quiet a Vampire

by Jaime Shearn Coan

How to Catalogue a Crisis: An Afterword to Lost and Found: Dance, HIV/AIDS, New York, Then and Now (2016)

by l.n. Hafezi

[INSTRUCTIONS FROM CHLOE], A Curatorial Statement

by Kairon Liu, Manuel Solano

Could I Be A Happy Person? A Conversation between Artists

by Miiro Michael

Disability, HIV, Art, and, Culture

Cecilia Chung, Olivia Ford, Deon Haywood, Naina Khanna, Suraj Madoori, Charles Stephens

Intersectionality, HIV Justice, and the Future of Our Movement

by Greg Thorpe

Drunk At Vogue: The Last Disco

by What Would an HIV Doula Do?, Triple Canopy

Twenty-One Questions to Consider When Embarking upon AIDS-Related Cultural Production

Imprint

by Ronald Kolb, Camille Regli, Dorothee Richter

Editorial "Centres/Peripheries—Complex Constellations"

by Christine Maria Kaiser

Urban Villages within the Megalopolis of Shenzhen: A (De)centralised Driver for Urban Change?

by Kristina Grigorjeva

Far Away, So Close: Between Congiunta and Piz Linard

by Heike Biechteler

The Zuoz Case

by Marco Meuli

Curating Otherness. A Selective Reading of the Diaspora Pavilion at the 2017 Venice Biennale

by Franziska Herren

National Tourist Routes Project in Norway: Architecture and Artworks for Resting, Recollecting, and Reflecting

by Camille Regli

The Repatriation of the White Cube: How Should the Rural Capitalise on Art? A Conversation with Renzo Martens, Artistic Director of the Institute for Human Activities

by Ella Krivanek

Interview with Gabi Ngcobo

by Giovanna Bragaglia

Kacey Wong: Art and Resistance

by Miwa Negoro

Poetics of Topological Secrecy. An Interview with Lukas Sander

by Oliver Rico

Interview with Olaf Kühnemann

by Yan SU

From an Imaginary Interview with Gregory Sholette

by Anastasia Chaguidouline

"Anxiety now prevails" A Conversation with Dmitry Vilensky

by Francesca Ceccherini and Noriko Yamakoshi

Interview with Raqs Media Collective

by Pongpan Suriyapat

Interview with Jittima “Len” Pholsawek

by Carolina Sanchez

Interview with the Founders of POST-MUSEUM: Jennifer Teo and Woon Tien Wei

by Domenico Roberti & Eveline Mathis

Interview with Anuradha Vikram – 18th Street Arts Center, Los Angeles

by Beatrice Fontana

A Conversation with Lisa Biedlingmaier about the Kunstverein Wagenhalle e.V./ Container City

by Paola Granati & Ronny Koren

Interview with Dena Beard

by Domenico Ermanno Roberti

Interview with Montecristo Project

by Gözde Filinta

“Who No Know, Go Know”: How to Shift Knowledge about/of Africa Interview with Stacy Hardy – Chimurenga Magazin

by Jan Sandberg

Encounter with Finnish Artist and Curator Ritva Kovalainen

by Maya Bamberger

A Momentary Centre of the World A Conversation with Curator Damian Christinger on Assembleia MotherTree, Zurich

by Dorothee Richter

Interview with Marta Rodriguez Maleck

Camille Regli

La Quadreria di Anita Spinelli: A Place Where Silence and Dynamism Prevail Interview with Maria-Cristina Donati

by Damian Christinger

The Gaze of the Black Madonna. A Political Conversation with Theaster Gates

Imprint

Elke Bippus, Jörg Huber, Dorothee Richter

Editorial: BEING-WITH: COMMUNITY – ONTOLOGICAL AND POLITICAL PERSPECTIVES

Roberto Nigro

THE FRENCH DEBATE ABOUT THE COMMUNITY

Ruth Sonderegger

ON THE CONSTRUCTION OF A 'COMMUNITY OF EQUALS'

Jörn Etzold

COMMUNITY AND PRACTICE: NANCY, ARISTOTLE, ARENDT, MARX

Lars Gertenbach

THE IMAGINARY AND THE ABSENCE OF COMMUNITY. REFLECTIONS ON AN ELUSIVE CATEGORY

Thomas Bedorf

BEING OTHER, BEING DIFFERENT: A NORMATIVE GAP IN THINKING THE 'IMPOSSIBLE COMMUNITY'?

Michaela Melián

CARTE BLANCHE STRASSE, 2003

Edited by Elke Bippus, Jörg Huber, Dorothee Richter

BEING-WITH: COMMUNITY – ONTOLOGICAL AND POLITICAL PERSPECTIVES

Lars Gertenbach and Dorothee Richter

The Imaginary and the Community. Deliberations Following the Deconstructivist Challenge of the Thinking of Community

Imprint

by Steven Henry Madoff and Brian Kuan Wood

Editorial "We Would Prefer Not To"

by Steven Henry Madoff

Reticence and Mortgage: Bartleby as Sanctuary

by Patrick Jaojoco

Curatorial Archaegeographies: History of Place as Political Action

by Hendrik Folkerts

Turning the Glass

by Herman Melville

Bartleby, The Scrivener: A Story Of Wall-street

by Ikechukwu Casmir Onyewuenyi

On “Shy Trump” Voters and the Politics of Care: Surveillance, Sousveillance, and Self

by Gilles Deleuze

Bartleby; or, The Formula

by Valerie Amend

The Internet Is Not a Possibility. An Interview with Zach Blas

by Vera Petukhova

No Tears for the Sovereign. An Interview with Jesse Darling

by Jovanna Venegas

Trickster Insertions for a Disruptive Resistance

by Lux Yuting Bai

Bartleby and Otaku. An Interview with Nadim Abbas

by Vera Petukhova

Portfolio: Between Spring and Summer: Soviet Conceptual Art in the Era of Late Communism

by Nana Adusei-Poku

On Being Present Where You Wish to Disappear

by Patrick Jaojoco

Portfolio: Don’t Follow the Wind

Imprint

by Ronald Kolb and Shwetal A. Patel

Editorial "Draft: Global Biennial Survey 2018"

by Shwetal A Patel, Sunil Manghani, and Robert E. D’Souza

Extracts from How to Biennale! (The Manual)

by Ronald Kolb and Shwetal A. Patel

Survey review and considerations

by Ronald Kolb and Shwetal A. Patel

Questionnaire: Introduction

asked by Shwetal A. Patel

Questionnaire: Yongwoo Lee

asked by Shwetal A. Patel

Questionnaire: Rafal Niemojewski

by Ronald Kolb and Shwetal A. Patel

Questionnaire: Alisa Prudnikova

asked by Kristina Grigorjeva

Questionnaire: Andrea Bellini

asked by Ronald Kolb

Questionnaire: Misal Adnan Yıldız

asked by Camille Regli

Questionnaire: Julia Moritz

asked by Nkule Mabaso

Questionnaire: Jean Kamba

asked by Shwetal A. Patel

Questionnaire: Qudsia Rahim

asked by Ronald Kolb

Questionnaire: Alexandra Blättler

asked by Elena Setzer

Questionnaire: Wato Tsereteliis

asked by Ronald Kolb

Questionnaire: Hajnalka Somogyi

asked by Kristina Grigorjeva

Questionnaire: Adam Caruso

asked by Christine Kaiser

Questionnaire: Mi Lan

by Jörg Scheller

Globannials or: The Sublime Is Wow

by Alkisti Efthymiou

How to Take Care of Your Voice: Exhaustion and Other Habitual Affects When Working Within Large-scale Art Institutions

by Shwetal A. Patel

#biennale

Directory of Biennials

by Jonathan Katz and Änne Söll

Editorial "Queer Exhibitions/Queer Curating"

by Birgit Bosold (text) and Vera Hofmann (visuals)

How Could This Have Happened? Reflexions on Current Programming Strategies of Schwules Museum Berlin

by Brian Curtin

The Terms of Visibility: Between Queer and LGBT in Curating Art in “Asia”

by Julia Friedrich

The Eighth Square: In Memory of Frank Wagner

by Isabel Hufschmidt

The Queer Institutional, Or How to Inspire Queer Curating

by Jonathan D. Katz

Queer Curating and Covert Censorship

by Simon Martin

Mediating Queerness: Recent Exhibitions at Pallant House Gallery

by Fiona McGovern

From “Transformer” to “Odarodle:”A brief history of exhibiting queer art in the German-speaking world

by Maura Reilly

Challenging Hetero-centrism and Lesbo-/Homo-phobia: A History of LGBTQ exhibi-tions in the U.S.

by Patrik Steorn

The Art of Looking at Naked Men: Queering Art History in Scandinavia

by Ladislav Zikmund-Lender

Swishing: Queer Curating in the Heart of Europe

by Elke aus dem Moore

Biennials under Political Pressure

by Emanuele Guidi and Lorenzo Sandoval

Editorial "Spaces of Anticipation"

by Christian Nyampeta and Jonatan Habib Engqvist

How To Rest Together

by Valentina Desideri and BAR Project

Working Care

by Céline Condorelli and Manuel Segade

Conversation Piece

by Emanuele Guidi and Lorenzo Sandoval

Making Room – Spaces of Anticipation. Research Exhibition at ar/ge kunst

by Binna Choi

Could Curating Be in Time?

by Alex Martinis Roe

An Exercise in the Practice of Affidamento

by Antonia Alampi and Alec Steadman

Undoing the Present: On Labor Conditions, Economic Survival, and Other Questionable Practices of the Art World

by Krüger & Pardeller

A Model of Possible Action. An Unfinished Protocol

by Sol Calero, Emanuele Guidi, and Lorenzo Sandoval

Welcome! A Conversation with Sol Calero about Tropical Hospitality, Latin American Legacy, and the Potential of the Exotic

Teobaldo Lagos Preller

A Former Jail, A Diagram, A Space for Openness: What Is to Be Done? Interview with Justo Pastor Mellado, Chilean Curator and Critic

by Lorenzo Sandoval

Spaces of Anticipation. Symposium at EACC in May, 2014

by Luis Berrios Negrón

Earthscore Specularium

Imprint

Imprint

Imprint

Exhibition images

by Giovanna Bragaglia

Summer Academy & Symposium De-Colonizing Art Institutions: Questions And Ideas After Ten Days Of Intensive Propositions

by Dorothee Richter & Ronald Kolb

Editorial "Editorial "Decolonizing Art Institutions: Artists’ Book"

Artists Proposals

Imprint

by Roma Jam Session art Kollektiv

Public Performance Detox Dance

by Dorothee Richter & Ronald Kolb

Editorial "Decolonizing Art Institutions"

by Woon Tien Wei

Still Here Somehow: Artists and Cultural Activism in Singapore's Renaissance

by Eyal Danon

Israeli Center for Digital Art

by Sabih Ahmed

What Does the Revolt of Sediments Look Like? Notes on the Archive

by Raqs Media Collective

Sources, Itineraries, and the Making of a Thicket

by Shwetal A. Patel

Three Biennials in Asia (2016)

by Shwetal A. Patel and Shaheen Merali

On the critical decades and the role of archives

by Claire Farago

Cutting and Sharing the “Global Pie”: Why History Matters to Discussions of Contemporary “Global Art”

by Dorothee Richter

Learning from Dhaka

by Nkule Mabaso

Decolonisation and the Scopic Regime

by Same Mdluli

Chasing Colonial Ghosts: Decolonizing Art Institutions in “Post-Apartheid” South Africa

by Michelle Wong

Train to Biennale

by Binna Choi & Yolande van der Heide

Decolonizing Art Institutes from a Labor Point of View

by Sophie J Williamson

On Cultural Translation

by Ivan Muñiz-Reed

Thoughts on Curatorial Practices in the Decolonial Turn

by Claire Wintle

Decolonising UK World Art Institutions, 1945-1980

by Sophie Vögele & Philippe Saner

Acknowledging the post_coloniality of Higher Art Education. Considerations from the Swiss perspective

by Rohit Jain

How to Be Affected in Postcolonial Public Spaces? Ethnographic Remarks on a Multifocal World in the Making….

by Marie-Laure Allain Bonilla

Some Theoretical and Empirical Aspects on the Decolonization of Western Collections

Imprint

by Nanne Buurman & Dorothee Richter

Editorial "documenta: Curating the History of the Present"

by Kathryn M. Floyd

d is for documenta: institutional identity for a periodic exhibition

by Philipp Oswalt

Bauhaus / documenta: Orders of the Present

by Susanne König

documenta in Kassel and the Allgemeine Deutsche Kunstausstellung in Dresden: A German-German History of Interrelations

by Kristian Handberg

The Shock of the Contemporary: documenta II and the Louisiana Museum

by Vesna Madžoski

Ghostly Women, Faithful Sons

by Beatrice von Bismarck

“The Master of the Works”: Daniel Buren’s Contribution to documenta 5 in Kassel, 1972

by Nanne Buurman

CCB with... Displaying Curatorial Relationality in dOCUMENTA (13)’s The Logbook

by Dorothee Richter

Being Singular/Plural in the Exhibition Context: Curatorial Subjects at documenta 5, dX, D12, d(13)

by Dorothea von Hantelmann

Thinking the Arrival: Pierre Huyghe’s Untilled and the Ontology of the Exhibition

by Walter Grasskamp

Becoming Global: From Eurocentrism to North-Atlantic Feedback—documenta as an “International Exhibition” (1955 – 1972)

by Anthony Gardner & Charles Green

Post-North? Documenta11 and the Challenges of the “Global” Exhibition

by Nina Möntmann

Plunging into the World: On the Potential of Periodic Exhibitions to Reconfigure the Contemporary Moment

by Elpida Rikou & Eleana Yalouri

Learning from documenta: A Research Project Between Art and Anthropology

by Ayşe Güleç

Learning from Kassel

by Angela M. Bartholomew

Installations Everywhere: Disorientation and Displacement in Jan Hoet’s documenta IX (1992)

by Anna Sigrídur Arnar

Books at documenta: Medium, Art Object, Cultural Symbol

by Nora Sternfeld

Para-Museum of 100 Days: documenta between Event and Institution

Imprint

interviewed by Nkule Mabaso

Smooth Nzewi

Iolanda Pensa

Public Art and Urban Change in Douala

Elvira Dyangani Ose

For Whom Are Biennials Organised?

Notes on Activist Art by Gregory G. Sholette

Counting On Your Collective Silence

interviewed by Abongile Gwele

Marcus Neustetter of On Air on Collectivism and Curating

interviewed by Nancy Dantas

Justin Davy of the Burning Museum

interviewed by Nkule Mabaso

Gregory Sholette

by Ntone Edjabe, Chimurenga in Conversation with Valeria Geselev

Why you don’t see people collaborating on building hospitals and 4 other thoughts on collaboration

Nkule Mabaso

Editorial

interviewed by Nkule Mabaso

Daudi Karungi Director Kampala Art Biennale

interviewed by Olga Speakes

Mishek Masamvu

Imprint

Matthew Hanson

Editorial "Spheres of Estrangement: Art, Politics, Curating"

Anke Hennig

Estrangement A Retro-Vision for 2016

A conversation between Franco ‘Bifo’ Beradi and Penny Rafferty

Society’s Richer Yet She’s Thin as a Rake.

by Josephine Baker-Heaslip

Halfway

Jonas Becker, Dan Bustillo, Joey Cannizzaro, Claire Ruud

Like when the teacher leaves the classroom: A conversation about artist-run programming within exhibitions

Alistair Hudson, Jeni Fulton, Paul Stewart and Sam Thorne.

Recuperation of Art and Activism. An e-mail correspondence.

Ken Gonzales-Day

Lilian Cameron, Suzana Milevska, Jared Pappas-Kelley, Adrian Shaw, Paul Stewart

Propositions: Applying Estrangement through Art, Learning and Curatorial Frameworks

Alison Hugill in conversation with Carson Chan

Curating Architecture: The Architecture of Estrangement

Jack Schneider

Call of Cthulhu

Penny Rafferty and PUNK IS DADA

Vampires from Aesthetics to Ethics—1922 to the Present

Imprint

Dorothee Richter, Tanja Trampe, Eleonora Stassi

Editorial "Work, Migration, Memes, Personal Geopolitics"

A Discussion with Almut Rembges, Philipp Lutz, Katharina Morawek by Makiko Takahashi, Lisa Lee Benjamin, Franziska Stern

Collaboration and Migration

Silvia Converso & Frédéric Bron

Twenty-four Hours at the Grandhotel Cosmopolis in Augsburg. Stories of Work, Migration, and Collectivity.

Giorgio Agamben

Beyond Human Rights

Dialogue between Sadou Bah and Ludovica Parenti in Collaboration with Emilie Bruner

Autonome Schule Zürich

An Interview with Esther Eppstein by Agustina Struengmann

Esther Eppstein on Making Zurich a Home for Art and Artists

Dorothee Richter, Elke Krasny, Lara Perry

Editorial "CURATING in feminist thought"

Amelia Jones

Feminist Subjects versus Feminist Effects: The Curating of Feminist Art (or is it the Feminist Curating of Art?)

Susanne Clausen

The Six Enemies of Greatness

Susanne Clausen

Slapping Scenes

Hilary Robinson

Feminism Meets the Big Exhibition: Museum Survey Shows since 2005

Gabrielle Moser, Helena Reckitt

Feminist Tactics of Citation, Annotation, and Translation: Curatorial Reflections on the Now You Can Go programme

Maura Reilly, Lara Perry

Living the Revolution: A Dialogue Between Maura Reilly & Lara Perry

Sigrid Schade

The Biographical Exhibition as a Problem of Feminist Critique and the Case of the Exhibition Marlene Dumas – Female, 2005

Dorothee Richter

Feminist Perspectives on Curating

Stella Rollig

In search of the Feminist (in the) Institution

Heike Munder

It’s Time for Action!

Lara Perry

Public Service Announcement: On the Viewer’s Role in Curatorial Production

Elke Krasny

Curatorial Materialism. A Feminist Perspective on Independent and Co-Dependent Curating.

Laura Castagnini

Performing Feminism ‘Badly’: Hotham Street Ladies and Brown Council

Victoria Horne, Kirsten Lloyd, Jenny Richards, Catherine Spencer

Taking Care: Feminist Curatorial Pasts, Presents and Futures

Lina Džuverović, Irene Revell

“We falter with feminist conviction”

Nanne Buurman

Angels in the White Cube? Rhetorics of Curatorial Innocence at dOCUMENTA (13)

Michaela Meliàn

Electric Ladyland

Imprint

Avi Feldman

Editorial "Imagine Law"

Sabine Mueller-Mall

LAW/ART: Constructive Interferences

Jonas Staal

Law of the State, Truth of Art. Two Case Studies of Art as Evidence

Zoltán Kékesi, Szabolcs KissPál, and Máté Zombory

Proposal for Hungary, 1945

Michal Heiman

On Michal Heiman's Return: Asylum (The Dress) 1852-2017

Lawrence Abu Hamdan

Testimony, 2013

Avi Feldman

The Artist as an Expert Witness

conducted by Avi Feldman

An Interview with Milo Rau

Hila Cohen-Schneiderman

Along the Law

Avigdor Feldman

The Sirens’ Song: Speech and Space in the Courthouse*

Imprint

Maja Wismer

Editorial "Ephemera. Invitation cards, press releases, inserts and other forms of artistic (self-)marketing", Part I

David Senior interviewed by Maja Wismer

Did Frank O’Hara Go?

Roberto Nigro

Alienation, the Social Individual, and Communism: Marx in the 21st Century

Conversations with Fany Flores & Bea Schwager by Mariana Bonilla Rojas, Cordelia Oppliger, Silvia Savoldi

“We have to live a quiet life.” The Voice of the Sans Papiers

A Conversation with Melanie Muñoz from the Association Lysistrada by Diana Padilla

For Whose Own Good?

Vreni Spieser in Conversation with Silvia Converso

ELDORADO – Where Would You Search for It?

MigrafonA

The Glorious 7

Maurizio Lazzarato

Immaterial Labor

A Conversation with Martin Krenn by Katrijn Van Damme & Petra Tomljanović

Heterogeneous History, a Never-ending Story

An Interview with Tim Zulauf by Katya Knoll

Collective Identity Provides No Insights

Marion von Osten

New Borderlands

Petra Tomljanović

On Memes, Migrants, and Spectrum

A Formal/Informal Conversation with Rayelle Niemann by Paloma Rayón & Silvia Savoldi

Maandish balad

Rayelle Niemann

HEIMAT / watan

Mathias Rodatz Interviewed by Hana Cisar

Questioning the Nation State: A Possible Future for Urban Citizenship

Erol Yildiz

Urban Recycling – the City in Migrant Economy

Anne-Julchen Bernhardt in Conversation with Hana Cisar

“There is no limit, I’m very happy with hybrid bastards.”

Conducted by Michelle Geser Lunau & Mona Liem

Reflexions on Personal Geopolitics by Students of the Postgraduate Programme in Curating

Interviewed by Michael Birchall

The King of Zines: AA Bronson’s reflections on artists’ books and the shifting nature of self-publishing culture.

Anne Moeglin-Delcroix

Art for the Occasion (2001)

Barbara Preisig interviewed by Maja Wismer

Invitations / Postcards / Business Cards / Works of Art

Daniel Baumann in conversation with Martin Jäggi and Marianne Mueller

Unraveling the Exhibits

Dorothee Richter

Editorial "Ephemera. Invitation cards, press releases, inserts and other forms of artistic (self-)marketing", Part II

New (Self) Advertisements

Imprint

Imprint

Dorothee Richter & Barnaby Drabble

Editorial "Curating Degree Zero Archive: Curatorial Research"

Dorothee Richter & Barnaby Drabble

Curating Degree Zero Archive 2003–2008

Felix Ensslin

The Subject of Curating – Notes on the Path towards a Cultural Clinic of the Present

Sabeth Buchmann

Curating with/in the System

Sergio Edelsztein

Are Boycotts the New “Collective Curating?”

Elke Krasny

Feminist Thought and Curating: On Method

Avi Feldman

Performing Justice – From Dada’s Trial to Yael Bartana’s JRMiP Congress

Brian Holmes

“Something that has to do with life itself” World of Matter and the Radical Imaginary

Ellen Blumenstein

The Curator and Her Double. The Cruelty of the Avatar

Dorothee Richter

Thinking About Curatorial Education

Imprint

Dorothee Richter & Michael Birchall

Editorial "Social Sculpture re-visited"

Michael G. Birchall

Socially engaged art in the 1990s and beyond

Dorothee Richter

Deliberations—Communities

Agustina Strüngmann

Between Utopia and Reality. The Martin Schick Learning Centre / NOT MY LAB

Silvia Simoncelli & students

LEXICON

Nadja Baldini

Interview with Søren Berner

Dina Yakerson

A conversation with Eyal Danon

An interview with Beta Local

Eleonora Stassi

An interview about movie projects and community issues with Fabrizio Boni, Giorgio de Finis, Dario and Mirko Bischofberger

Silvia Converso

Interview with Altes Finanzamt, Berlin

Agustina Strüngmann

An interview with Swiss artist San Keller, 12 May 2014, Zürich, Switzerland

Anna Frech

The Grandhotel Cosmopolis Augsburg (Germany)

Kenneth Paranada

Interview with PLANTING RICE

Dina Yakerson

Questions on community with Ursula Biemann

Agustina Strüngmann

Questionnaire on Community – Marina Belobrovaja

Kenneth Paranada

Questionnaire on Community – Oliver Ressler

Adriana Domínguez Velasco

Questionaire with Public Works

Imprint

Michael Birchall & Philipp Sack

Editorial "After the turn: art education beyond the museum"

Artwork by Dan Perjovschi

Sponsor, 2005

Vagabond Reviews

More Bite in the Real World: Usership in Arts-Based Research Practice

Artwork by Dan Perjovschi

Press Is Gone, 1999

Megan Johnston

Slow Curating: Re-thinking and Extending Socially Engaged Art in the Context of Northern Ireland

Artwork by Dan Perjovschi

Art You Can Buy This, 2014

Lena Seik

"What does it have to do with me?" 
The Learning Museum, or How the Principle of Aesthetic Research Makes Cultural Education More Accessible

Artwork by Dan Perjovschi

Artist, 2008

Amanda Cachia

Disability, Curating, and the Educational Turn: The Contemporary Condition of Access in the Museum

Artwork by Dan Perjovschi

Artist Citizen, 2008

WochenKlausur

Lets Talk About Another Concept

Artwork by Dan Perjovschi

Citizen—Consumer, 2008

Yet Chor Sunshine Wong

Building, Dismantling: Community Orientations and Counterpublic Art in Hong Kong

Imprint

John Canciani

Introduction "The Future of Short Film"

Lars Henrik Gass, Maike Mia Höhne, Jukka-Pekka Laakso, Laurence Reymond, Peter van Hoof

The Future of Short Films – A Debriefing of a Panel Discussion Interview Part 1

Maike Mia Höhne cinematographic clusterlady

The Narrative – Approaches

Anna Veilande-Kustikova

Animated Hybrids

Lars Henrik Gass, Maike Mia Höhne, Jukka-Pekka Laakso, Laurence Reymond, Peter van Hoof

Hybrid Films: Interview Part 2

Lars Henrik Gass

Compiling a Selection of Films is not an Artistic Strategy, it Brings Such a Strategy to Light

Robert Cambrinus

In the cinema

Lars Henrik Gass, Maike Mia Höhne, Jukka-Pekka Laakso, Laurence Reymond, Peter van Hoof

Curatorial Practices: Interview Part 3

Festival List

Imprint

Dorothee Richter and Nkule Mabaso

Introduction "Politics of Display"

Dorothee Richter

Revisiting Display: Display and Backstage

Garance Massart-Blum and Amber Hickey

Interview with Rein Wolfs

Nkule Mabaso

Interview with Anton Vidokle

Marco Scotini

Le monde est à nous

Garance Massart-Blum and Milena Brendle-John

Interview with Mirjam Varadinis

Paul O'Neill

Co-productive Exhibition-Making and Three Principal Categories of Organisation: the Background, the Middle-ground and the Foreground

Marina Lopes Coelho, Corinne Isabelle Rinaldis, Lindsey Sharman

Interview with Paul O’Neill

Elena Filipovic

The Global White Cube

Jill Keiser

One Hour with Saša Nabergoj

Melanie Buech and Jeannine Herrmann

Interview with Anke Hoffmann and Yvonne Volkart

Sylvia Ruttimann and Karin Seinsoth

Interview with René Block

Manon Slome and Joshua Simon

Re-Staging of an exhibition-concept

Manon Slome

Aesthetics of Terror

Katharina Schendl and Ingela Johansson

Interview with Rainer Ganahl

Imprint

Lucie Kolb & Gabriel Flückiger

Editorial "(New) Institution(alism)"

Lucie Kolb & Gabriel Flückiger

New Institutionalism Revisited

An E-Mail Exchange between Lucie Kolb & Gabriel Fluckiger

Writing New Institutionalism

An Interview with Jonas Ekeberg

“The term was snapped out of the air”

An Interview with Charles Esche

“We were learning by doing”

An Interview with Maria Lind

“We want to become an institution”

Rachel Mader

How to move in/an institution

Felix Vogel

Notes on exhibition history in curatorial discourse

Alex Farquharson

Institutional Mores

Astrid Wege & Vanessa Joan Müller

Kunsthalle: A Model for the Future

An Interview with Liesbeth Bik

“Both a radical and mild change”

Imprint

Amber Hickey, Dorothee Richter, Lindsey V. Sharman, Silvia Simoncelli

Editorial "Total Abstraction"

Amber Hickey and Lindsey Sharman

Abstract Possible: The Zurich Test

Meyer Shapiro

Nature of Abstract Art

Liam Gillick

Abstract

Marina Lopes Coelho

Interview with Tommy Støckel

Silvia Simoncelli

Interview with Wade Guyton

Damian Navarro with an introduction by Véronique Ribordy

Carte Blanche

Roberto Nigro

Power and Necessity of Abstraction in Marx

Dorothee Richter

New Markets and Forms of Capital in Art

Silvia Simoncelli

Talking about Abstraction… A Conversation with Maria Lind

Amber Hickey

Beyond Reflection: Radical Pedagogy and the Ethics of Art Sponsorship

Lindsey Sharman

Curatorial Outsourcing: Curate Local

Melanie Buchel, Marina Lopes Coelho and Silvia Simoncelli

A Question of Funding

Imprint Issue 20

Michael Birchall

Editorial "On Artistic and Curatorial Authorship"

Winfried Stürzl

Between Hype and Attitude. Motivations, Presentation Strategies and Fields of Conflict for “Curartists”

Marc James Léger

Homo Academicus Curatorius: Millet Matrix as Intercultural Paradigm

Anne Koskiluoma, Anna Krystyna Trzaska

Curatorial and Artistic Practice as Political Process: an interview with Artur Zmijewski

Sophia Ribeiro

An interview with Kristina Lee Podesva

Chloé Nicolet-dit-Félix and Gulru Vardar

Interview with Raqs Media Collective on the 
exhibition, Sarai Reader 09

Monika Molnár and Tanja Trampe

Public Art: Consequences of a Gesture?* An Interview with Mary Jane Jacob

Dorothee Richter

Artists and Curators as 
Authors – Competitors, Collaborators, or Team-workers?

Jacqueline Falk, John Canciani

Interview with curator Valerie Smith

Michael Birchall and Nkule Mabaso

Artist-curator Gavin Wade on authorship, curating at Eastside Projects and the post-industrial city

Sheena Greene

“Italian Conversations: Art in 
the age of Berlusconi”: an interview with Fucking Good Art

Annemarie Brand and Monika Molnár

Authorship (ext)ended: artist, artwork, public and the curator: An interview with Ute Meta Bauer and Yvonne P. Doderer

Ashraf Osman and Daniela N. Fuentes

An Interview with Tania Bruguera

Charlotte Barnes

Marion von Osten on her collaborative style and multiple roles

Imprint Issue 19