3 — COLLECTING
Curators, researchers, and public intellectuals argue, converse, reflect upon and consider best practices, personal experiences and recent examples of curating AIDS, be it in book, gallery, museum or memoir form. Ethics of inclusion, history making and accounting for difference and emotion are common themes that run through this section.
A Conversation Between Jean Carlomusto, Alexandra Juhasz, and Hugh Ryan
Abiding Relations Through Recovery, Restoration and Curation
Marika Cifor
Status = Undetectable: Curating for the Present and Future of AIDS
Lyndon K. Gill
Fieldnotes from the Afterlife: Lyle Ashton Harris’ Living Archive
Heather Holmes
Public Ruptures, Public Readerships: AIDS in Writing
Catalina Imizcoz
Precarious Structures: HIV, Museums, and History
Renaud Chantraine, Florent Molle, and Sandrine Musso
AIDS Politics of Representation and Narratives: A Current Project at the Museum of European and Mediterranean Civilizations (Mucem) in Marseilles, France
Manon S. Parry
AIDS and the Medical Museum Gaze: Collecting and Exhibiting Science and Society
Ricky Price
Viral Memories: The Making of Institutional History and Community Memory in the HIV/AIDS Crisis
Nelson Santos
Love Happened Here
Issue 42
WHAT YOU DON’T KNOW ABOUT AIDS COULD FILL A MUSEUM