drucken Bookmark and Share

3 – Bienal de La Habana

Gerardo Mosquera examines in his paper “The Third Bienal de La Habana in Its Global and Local Contexts” the pivotal role of the Bienal de La Habana in introducing new elements into the biennial format. Changing an oftentimes representational exhibitory model into a discursive environment, Mosquera lays out the complex contexts of the first three editions between 1984 and 1989, navigated within a regime of political representation and postcolonial legacies. Agustina Andreoletti delves into the history of the Bienal de São Paulo and the exceptional role of the 3rd Havana Biennial in “A New Change of CourseDistributed Biennialism in Latin America.” The 3rd Havana Biennial, according to Andreoletti, created a new precedent for biennial formats, commencing a tradition concentrated on discourse and knowledge production strategies. With this historical outline, Andreoletti scrutinizes three contemporary biennials from South America: BienalSur, #00Bienal/ Bienal Sin 349, and La Bienal en Resistencia 2019 with a special emphasis on the “lighter” structure of these diverse biennials. Anita Orzes examines the history of the Havana Biennial in “Curatorial Networks: The Havana Biennial and the Biennials in the South,” which for its third iteration in 1989, according to Orzes, abandoned the “Western biennial format” of separating artists by their nationalities and instead proposed the setting up of workshops and theoretical meetings alongside the exhibition. The article reflects critically on biennials adjusting to a narrative of Eurocentric perspectives in art history and exhibition-making.

Go back

Issue 46 / June 2020

Contemporary Art Biennales – Our Hegemonic Machines in Times of Emergency

by Ronald Kolb, Shwetal A. Patel, Dorothee Richter

Editorial

by Daniel Knorr

European Influenza

by Roma Jam Session art Kollektiv

Detox Dance

by Delia Popa

Mice Insanity

by Diana Dulgheru

50 HZ

by Daniel Knorr

Instant Community

by Farid Rakun

Questionnaire

by Raqs Media Collective

Questionnaire

by Defne Ayas and Natasha Ginwala

Questionnaire

by Ekaterina Degot

Questionnaire

by Yung Ma

Questionnaire

by Eva González-Sancho Bodero and Per Gunnar Eeg-Tverbakk

Questionnaire

by Raluca Voinea

Questionnaire

by Răzvan Ion

Questionnaire

by Daniel Knorr

Trams and Institutions

by Lara van Meeteren and Bart Wissink

Biennials and Hegemony: Experiences from the Thai Laboratory

by Raqs Media Collective

Freeing the Weights of the Habitual

by Robert E. D’Souza

Before, During, After Biennale

By Manifesta 12 Creative Mediators: Bregtje van der Haak, Andrés Jaque, Ippolito Pestellini Laparelli, Mirjam Varadinis

The Planetary Garden. Cultivating Coexistence.

WHW in conversation with Omar Kholeif

Curating the Revolution: Meeting Points 7 [1]

by Henk Slager

Chronosites

by Vasyl Cherepanyn

East Europe Biennial Alliance

by Ksenija Orelj

We’re Off

by Catherine David

documenta X

by Okwui Enwezor

The Black Box

by Sabeth Buchmann and Ilse Lafer

On the Documenta 14 in Athens

by Julia Bethwaite and Anni Kangas

The Paradoxes of the Biennale

by Federica Martini

One Biennale, Many Biennials

by Vittoria Martini

Venice, the Biennale and the Bees