This collection of texts reflects experiences of curating musical practices and wishes to help contributing meaningful traces to the relatively new discourse of curating in contemporary music. Curating makes us think about the interconnection of the aesthetic/conceptual aspects and the socio-political dimension of what we are doing. It offers us the opportunity to analyze what is actually happening when people share sonic experiences and to reflect on the meaning of the relationships that are created between the different agents (sound, audience, technology, etc.). We hope that the readers enjoy the different perspectives on the topic and will be inspired to come up with new ideas and ways of acting curatorially.
Call for applications for 2023/24
CAS Curating, ZHdK
Postgraduate Programme in Curating
www.curating.org
Start of the Programme: 29 September 2023
Apply here