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By Manifesta 12 Creative Mediators: Bregtje van der Haak, Andrés Jaque, Ippolito Pestellini Laparelli, Mirjam Varadinis

The Planetary Garden. Cultivating Coexistence.

Francesco Lojacono, View of Palermo, 1875 (with added name tags of the plants)

Throughout history, the city of Palermo has been a laboratory for diversity and cross-pollination.  Continuous migration – from the Ancient Greeks, the Arabs and the Normans to the recent arrival from Northern Africa, South East Asia and the Middle East – has constantly redefined the city and its people. Palermo’s streets, architecture, parks, cultural legacy and personal histories are the result of a long-lasting syncretism of cultures across the Mediterranean and beyond.

In the 1875 painting View of Palermo by Francesco Lojacono – in the collection of the GAM Museum in Palermo – nothing is indigenous. Olive trees came from Asia, aspen from the Middle East, eucalyptus from Australia, prickly pear from Mexico, loquat from Japan. Citrus trees – a symbol of Sicily – were introduced under Arab sovereignty. The botanical garden of Palermo, Orto Botanico, was founded in 1789 as a laboratory to nurture, study, test, mix and gather diverse species. Palermo’s Orto Botanico inspired Manifesta 12 to look at the idea of the “garden”, exploring its capacity to aggregate difference and to compose life out of movement and migration.

Gardens are places where diverse forms of life mix and adapt to co-exist. They allow for cross-pollination based on encounter. In 1997, French botanist Gilles Clément described the world as a “planetary garden” with humanity in charge of being its gardener. But how to tend to a world that is moved by invisible informational networks, transnational private interests, algorithmic intelligence, environmental processes and ever-increasing inequalities? Twenty years later, the metaphor of the planet as a manageable garden is still attractive, not as a space for humans to take control, but rather as a site where “gardeners” recognise their dependency on other species, and respond to climate, time, or an array of social factors, in a shared responsibility.

Palermo Atlas, the urban study by OMA, reveals Palermo as a node in an expanded geography of movements – of people, capital, goods, data, seeds, germs – that are often invisible, untouchable and beyond our control. Palermo is shaped by these flows and journeys, from Somalia to Scandinavia, from Indonesia to Gibraltar and the Americas. Palermo is a global city, but one of the problematic-global, a place where key transnational issues converge – from climate change and illegal trafficking to the simultaneous impact of tourism and migration.

Palermo’s position at the crossroads of three continents makes it an ideal location for Manifesta 12 to investigate some of the key changes of our time. But it is also a place where the current model of globalisation is contested with new perspectives on civic engagement. In the 1990s, the Primavera di Palermo social movement against the mafia helped the city emerge from decades of criminal control, with a determination to establish new forms of civic agency. Similar ambitions arise in Palermo today, as it embraces migration and proposes new models of citizenship (the ambition to abolish the residence permit) and human rights (Mayor of Palermo Leoluca Orlando’s proposal to establish mobility as a human right).

Collaborating closely with Palermitan partners, Manifesta 12 is co-inhabiting Palermo as a laboratory for the challenges of our time, looking for traces of possible futures. In the context of globalisation, Manifesta 12 chooses to be radically local in engaging with the city in all of its diverse components. The Planetary Garden is hosting 3 main sections, each touching on key topics of the concept:

Garden of Flowsexplores toxicity, plant life and the culture of gardening in relation to the transnational commons in Orto Botanico.

Out of Control Roominvestigates power in today’s regime of global flows.

City on Stagebuilds on existing opportunities in the centre and the outskirts of Palermo to further develop the existing plans that are stuck somehow and have not been fully realised. Productive collaborations can act as a catalyst and possibly extend into future and long-term initiatives in Palermo.

Teatro Garibaldi hosts a library, café and program of public events, including debates, workshops and film screenings (presentation of films shot in Palermo with introduction and/or Q&A).

Manifesta 12 is also dialoguing with the ephemeral components of Palermo’s life. Honouring the city’s long tradition of storytelling – or canta storie – through a series of new narrative productions about the city’s hidden networks. Recognising Santa Rosalia procession as a territory of contemporary syncretism, dialogue and celebration. Supporting existing initiatives to provide spaces for public hospitality.

Ippolito Pestellini Laparelli is an architect and curator based in Milan. He is the founder of the interdisciplinary agency 2050+. Currently he teaches at the Royal College of Arts in London. Between 2007 and 2020 he has worked as architect and partner at OMA where his work focused on research and curation, scenography and preservation.

Andrés Jaque is an architect, writer, and curator. He is the founder of the Office for Political Innovation, a New York/Madrid-based agency working at the intersection of research, critical environmental practices and design. Andrés Jaque is the Director of Columbia University, Advanced Architectural Design Progam. He has has been appointed Chief Curator of the 13th Shanghai Biennale.

Bregtje van der Haak is a documentary filmmaker and journalist. Since 1997, she has been directing international documentaries on social change with a focus on urban life. Her documentaries have been shown on television, in film festivals and in art exhibitions around the world.

Mirjam Varadinis (CH) is a curator and writer based in Zurich, Switzerland. She is a curator for Kunsthaus Zürich, where she has curated many exhibitions and published various catalogues on contemporary art. In 2013 she curated “0 Performance – The Fragile Beauty of Crisis”, a special project for the 5th Moscow Biennial of Contemporary Art and in 2012 she was co-curator of TRACK, a largescale city-wide international exhibition in Ghent, Belgium.



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Issue 46 / June 2020

Contemporary Art Biennales – Our Hegemonic Machines in Times of Emergency

by Ronald Kolb, Shwetal A. Patel, Dorothee Richter

by Daniel Knorr

by Roma Jam Session art Kollektiv

by Delia Popa

by Diana Dulgheru

by Daniel Knorr

by Farid Rakun

by Raqs Media Collective

by Defne Ayas and Natasha Ginwala

by Ekaterina Degot

by Yung Ma

by Eva González-Sancho Bodero and Per Gunnar Eeg-Tverbakk

by Raluca Voinea

by Răzvan Ion

by Daniel Knorr

by Lara van Meeteren and Bart Wissink

by Raqs Media Collective

by Robert E. D’Souza

By Manifesta 12 Creative Mediators: Bregtje van der Haak, Andrés Jaque, Ippolito Pestellini Laparelli, Mirjam Varadinis

WHW in conversation with Omar Kholeif

by Henk Slager

by Vasyl Cherepanyn

by Ksenija Orelj

by Catherine David

by Okwui Enwezor

by Sabeth Buchmann and Ilse Lafer

by Julia Bethwaite and Anni Kangas

by Federica Martini

by Vittoria Martini