The collection is organised in two sections. The section "On Artistic Practice" examines decolonial aesthetic strategies in artistic productions. The artistic mediums used include photography, film, theatre (including contemporary drama and performance), visual art, music, video, and fine art. The essays reflect on the mutual enrichments that can occur between critical art practices and social movements. In these reflections the contributors elaborate upon the conditions for politicized critical practice, and examine the politics of institutional memory and the archival silences operating within the university.