保罗·斯图尔特（Paul Stewart）翻译：张唯一

编者语

李汭璇

始自数字化的“非策展”：一次协作编辑实践

多萝西·里希特（Dorothee Richter） 翻译：张唯一

从历史视角看数字化策展

萨宾娜·希墨尔斯巴赫（Sabine Himmelsbach） 翻译：蒋子祺

展示、传递及收藏媒体艺术——巴塞尔电子艺术中心的实践

与陈小文、李振华、毕昕对谈

媒介与技术的可介入性：中国数字艺术策展三十年

KA·伯德、保罗·斯图尔特与海伦·海斯特的对话 翻译：邓家杰

关于数字社群、家庭空间和线上活动的对话

与艺术家Y、杨静、周姜杉访谈

对话系统、游戏制作和数据传播，这算不算是一种“策展”呢？

鲁思·帕蒂尔与约书亚·西蒙的对话 翻译：陈粤琪

“不要讨厌迷因，去讨厌算法吧”

新场景（New Scenario） 翻译：陈粤琪

在线展览：作为导演的策展人

多萝西·里希特（Dorothee Richter） 翻译：张唯一

(非）实物/为什么对于“物”的怀旧总是反动的

by Jennifer Kessler

A Multi-Layered Approach to Equity in the New Music Field

by Irena Müller-Brozović

Curating Resonances through Creating Relationships

by Thomas Burkhalter

20 Years, 13 Curatorial Principles Norient: From the World of Tastemakers to the Time of Identity Politics

by Anja Wernicke

“How Do We Listen?” Interview with Elina Waage Mikalsen

Imprint

by Sigrid Gareis, Nicole Haitzinger and Jay Pather

Editorial

by Nicole Haitzinger

Curating Dance: On est ensemble? Expanded Choreography and Vulnerability

by Gurur Ertem

Promises and Pitfalls of “Political” Curating in Live Arts

by Sigrid Gareis and Nicole Haitzinger

The Artist as Curator/The Curator as Artist. Interview with Michiel Vandevelde

Jay Pather with Choy Ka Fai, Sigrid Gareis, Lia Rodrigues, and Jessica Lauren Elizabeth Taylor

Twists: Dance and Decoloniality

by Amanda Piña

Choreography as Curation, Curation as Cure

by Ong Keng Sen

The Practice of Planetary Care and the No-thing that Remains: An Exercise in Co-Thinking Contemporary Art Exhibitions and Dance Festivals

by Kai van Eikels

Replacing Institution with Infrastructure: An Approach to Collective Curating

by Ronald Kolb and Dorothee Richter

Editorial

by Elly Kent

The History of Conscious Collectivity Behind Ruangrupa

by Wulan Dirgantoro and Elly Kent

We need to talk! Art, offence and politics in Documenta 15

by Tanya Abraham and Maayan Sheleff

Reflections on the Workshop “Untitled (Re-curating documenta fifteen)”

by Unchalee Anantawat, Ariane Sutthavong, Lara van Meeteren, Bart Wissink

On the Ideological Flexibility of the Cultural Common(s): The Many Lives of Thailand’s Art Lane

by David Behar Perahia and Dan Farberoff

Commoning: Environmental Reconciliation in the Work of Common Views

by Grégoire Rousseau and Nora Sternfeld

Educating the Commons and Commoning Education: Thinking Radical Education with Radical Technology

In Conversation with Anastasia Baka, Leilani Lynch, and Anna Wälli

Britto Arts Trust: Tayeba Begum Lipi and Mahbubur Rahman

in Conversation with Sophie Brunner, Marinella-Sofia Gkinko, and Maria Mumtaz

Jatiwangi art Factory (JaF): Ismal Muntaha and Al Ghorie

Hajnalka Somogyi, Eszter Lázár, Nikolett Eross, Katalin Székely, Bori Szalai, and Eszter Szakács in Conversation with Anna Konstantinova and Giulia Busetti

A Defibrillator for the Independent Art Scene: OFF-Biennale Budapest

Interview by Anastasia Baka and Giulia Busetti

Thinking Beyond the Donor Economy: Collectivity as the Answer to the Question of Funding

In Conversation with Chiara Borgonovo, Rosela del Bosque, Marina Donina, and Lotte Van Ermengem

Wajukuu Art Project: Shabu Mwangi and Ngugi Waweru

Imprint

by Angela Dimitrakaki

From Space to Time: “Situated Knowledges,” Critical Curating, and Social Truth

by Ronald Kolb

Situated Knowledges and Interdependence in the Exhibitionary-Educational Complex

by Antonio Cataldo

Curing the Archive Fever: Filling the Gaps Through Situatedness

by Janet Fong Man Yee

New Horizons: Ways of Seeing Hong Kong Art in the ‘80s and ‘90s: An Integrated Approach to Curatorial Practices on Exhibition-Making

by Bo Choy and Chloe Ting

Situated Knowledge, Situated Works

by Noit Banai and Dani Gal

Memory Communities at the Crossroads

Imprint

Section 1: Definitions and Urgencies

by Nanne Buurman

From Prison Guard to Healer: Curatorial Subjectivities in the Context of Gendered Economies

Dorothee Richter

Spoiler Alert: Instituting Feminism Will Not Work Without a Fight

Emelie Chhangur interviewed by Jennifer Fisher

Institutional Inreach as a Feminist Curatorial Methodology

by la Sala (Alba Colomo & Lucy Lopez)

cultivating la Sala: instituting from the kitchen table

by Alex Martinis Roe and Helena Reckitt

Relationality in Feminist Collective Practice

by Berit Fischer

Mestiza Consciousness and Sentipensamiento—Ontologies for a Feminist Instituting

by Romane Bernard, Sofia Cecere, Thelma Gaster, Jeanne Guillou, Barbara Lefebvre, Séraphine Le Maire, Oksana Luyssen, Rose Moreau, Jeanne Porte, Laurence Rassel, and Miska Tokarek

Now Imagine That We Are a Village

by Ève Chabanon, Anna Colin, and Madeleine Planeix-Crocker

Crossed Perspectives on Collaboration

by Sharlene Khan

A Sense of Belonging—Natasha Becker’s Black Feminist Radical Love Curatorial Practice

by Elena Zaytseva

A Box of Her Own: On the Affective Power of Russian Art Archives

by Martin Patrick and Dorothee Richter

Fluxus Perspectives

by Natilee Harren

The Fluxus Virtual, Actually

by Julia Robinson

Parsing Scores: Application in Fluxus

by Emmett Williams

My Life in Flux -- And Vice Versa (excerpts)

by Billie Maciunas

The Eve of Fluxus: A fluxmemoir (excerpts)

by Ken Friedman

Fluxus Legacy

by Kevin Concannon

Yoko Ono’s Touch Piece: A Work in Multiple Media, 1960–2009

by Peter van der Meijden

Banking with Fluxus, Then and Now

by Henar Rivière

Wolf Vostell’s dé-coll/age Magazine: The Editorial Design of Action Art

by Simon Anderson

Mail Art and Fluxus: An Antic Exhibition from 1982

Imprint

by Dorothee Richter And Barnaby Drabble

Curating Critique – An Introduction

by Oliver Marchart

Curating Theory (Away) the Case of the Last Three Documenta Shows

by San Keller

Carte Blanche: MINUTES: PREVIEW

by Dorothee Richter and Rein Wolfs

Editorial

by Helmut Draxler

Crisis as form. Curating and the logic of Mediation.[1]

by Giovanni Carmine and Hassan Khan

Possible Encounters

by Marysia Lewandowska and Neil Cummings

Museum Futures: Live, Recorded, Distributed

by Maja Ciric and Isin Onol

Can Curating be Taught?

by Sarat Maharaj

Merz-Thinking – Sounding The Documenta Process Between Critique And Spectacle

Per Hüttner And Gavin Wade In An Interview With Barnaby Drabble

Experiments Along The Way –I Am A Curator And Support Structure

by Rebecca Gordon Nesbitt

False Economies – Time To Take Stock

by Oliver Marchart

The Curatorial Function – Organizing The Ex/Position

by Dorothee Richter

Exhibitions As Cultural Practices Of Showing: Pedagogics

by San Keller

Carte Blanche: MINUTES: PRE-, PRE-, PRE-, PREVIEW

by Maria Lind

Contemporary Art and its Institutional Dilemmas

by Marion Von Osten

Producing Publics – Making Worlds! On The Relationship Between The Art Public And The Counterpublic

by San Keller

Carte Blanche: MINUTES: PRE-, PREVIEW

by Olga Fernández

Just What is it That Makes 'Curating' so Different, so Appealing?

Ute Meta Bauer In An Interview With Marius Babias

Easy Looking – Curatorial Practice In A Neo-Liberal Society

by Walter Grasskamp

The White Wall – On The Prehistory Of The ‘White Cube’

by Hadas Kedar

Editorial

by João Pedro Amorim and Nuno Crespo

Art as Expanded Rationality

by Renan Laru-an

General Nourishment: The Aga Khan Museum of Islamic Arts in Marawi

by Sebastian Cichocki

Wonders in the Heavens and in the Earth: Notes from the Dormant Exhibition

by Helene Romakin

Extremely Unagitated—A Closer Look at the Artistic Practice of Lara Almarcegui

by Carla Gimeno Jaria

What Borders Can Do

by Ronny Hardliz

“and here I am”—De-Colonial Aspects of Advanced Curatorial Work (of Art)

by Johanne Løgstrup

Museums as Contact or Conflict Zones

4 Free Culture: Post-Humanist Technologies and Algorithms as Alternatives to Techno-Capitalist Industrial Society

by Park C. Myers

Algorithmic Extremes in Terram in Aspectu

by Jyoti Mistry and Nkule Mabaso

Introductory Comments: initiatives and strategies

by Jyoti Mistry and David Andrew

ArtSearch: Punch and Judy, Pavements and Ponzi Schemes

by Bongani Mkhonza

Relocating the Centre: Decolonising the University Art Collections in South Africa

by Bekele Mekonnen

Reshaping Wax: Addis Ababa—the Alle School of Fine Arts and Design

Interview: Miguel Marrengula by Nkule Mabaso

Building a School of Thought, the Case for ISADEL Mozambique

On Artistic Practice

by Sharlene Khan

I Make Art – Voicing Voice, Speaking Self and Doing Criticality

Interview: Nomcebisi Moyikwa by Linda Makgabutlane

Qash-Qash: One Mirror Image of Black Womanhood

by Nobunye Levin

Willful Walking

by Jay Pather

Caught up in Multiply-Layered Skirts or What’s a Stripper Doing in Julius Caesar ?

by Brandon Farnsworth, Rosanna Lovell

Editorial

by Dr Christina Scharff

Explaining Inequalities in the Classical Music Profession

by Gina Emerson

What Do Audiences Want? Data-Informed Curation for Diverse Audiences in New Music

by Ronald Kolb and Dorothee Richter

Editorial

Giovanna Bragaglia, Miwa Negoro, and Camille Regli

I might be wrong: Focus on Off-Spaces—Unravelling Success in a Discursive Series

by Jose Cáceres Mardones

In Search of the Locality of Globalization—Ursula Biemann’s Postcolonial Critique

by Tanja Trampe

CAN I WORK LIKE THIS? In Search of Presence in Pandemic Times

Interviewed by Dorothee Richter

Elisabeth Eberle

Interviewed by Gözde Filinta

Failure Is A Possibility Interview With Cathrin Jarema And Clifford E. Bruckmann

by Jose Cáceres and Noriko Yamakoshi

la_cápsula—between Latin America and Switzerland: An Exploration in Three Acts

Interviewed by Daniela Hediger

Andreas Marti, Dienstgebäude

Interviewed by Eveline Mathis and Beatrice Fontana

Die Diele and Sihlhalle

Interviewed by Domenico Ermanno Roberti, Beatrice Fontana, and Eveline Mathis

LONGTANG

Interviewed by Alina Baldini

nano—Raum für Kunst, Zurich Interview with Maria Bill, Antonia Hersche, and Regula Weber

Interviewed by Domenico Ermanno Roberti

Mitchell Anderson, Plymouth Rock

Interviewed by Patrycja Wojciechowska

U5

by Rafia Kodmani

Sculpting Through the Ashes, the Journey of Allam Fakhour

Interviewed by Oliver Rico

Esther Kempf

Interviewed by Daniela Hediger

Enriching the Homogenic Zurich Art Scene: Esther Eppstein

Interviewed by Gözde Filinta

Constellations of Knowledges: Annette Bhagwati

Interviewed by Abongile Gwele and Patrycja Wojciechowska

Marc Streit

Interviewed by Alina Baldini and Tea Virolainen Jordi

Christoph Doswald, Chairman of the Working Group for Art in Public Space, KiöR

Interviewed by Arianna Guidi and Myriam Boutry

An Ecosystem at Work—Mirjam Bayerdörfer

Interviewed by Anastasia Chaguidouline and Elena Vogiatzi

I don’t want to be an artist. I want to be a King. Adrian Notz (Cabaret Voltaire 2004-2019)

Interviewed by Alina Baldini and Annick Girardier

Museum of Digital Art—MuDA—Zurich: Christian Etter

Interviewed by Maya Bamberger

“There is no magic”: An Interview with Art Dealer Eva Presenhuber

Interviewed by Giulia Frattini

Art In The Digital Age: Nina Roehrs, Roehrs & Boetsch

Imprint

by Ronald Kolb, Shwetal A. Patel, Dorothee Richter

Editorial

1 – Biennial Discourse

by Roma Jam Session art Kollektiv

Detox Dance

by Delia Popa

Mice Insanity

by Diana Dulgheru

50 HZ

by Fatoş Üstek

Hashtag biennale 519,024 posts (May 12, 2020)

by Daniel Knorr

Instant Community

by Farid Rakun

Questionnaire

by Martin Guinard

Discussion between Bruno Latour, Eva Lin, and Martin Guinard

by Ekaterina Degot

Questionnaire

by Yung Ma

Questionnaire

by Raluca Voinea

Questionnaire

by Daniel Knorr

Trams and Institutions

by Gerardo Mosquera

The Third Bienal de La Habana in Its Global and Local Contexts

by Anita Orzes

Curatorial Networks: The Havana Biennial and the Biennials in the South

by Lara van Meeteren and Bart Wissink

Biennials and Hegemony: Experiences from the Thai Laboratory

by Sarat Maharaj

Concept: Farewell to Post-Colonialism Farewell to Postcolonialism, Towards a Post-Western Modernity, Guangzhou Triennial, Guwangzhou, (2008)

by Patrick D. Flores

“Time to Unlearn”: Urgency and Practical Intelligence in the Southeast Asian Museum

by Raqs Media Collective

Freeing the Weights of the Habitual

by Yacouba Konaté

The Invention of the Dakar Biennial (2009)

by Brandon Farnsworth

Biennials and their Siblings: Towards an Interdisciplinary Discourse on Curating Performance

by Robert E. D’Souza

Before, During, After Biennale

by Teobaldo Lagos Preller

Bergen Assembly 2019, 11th Berlin Biennale 2020, the Virus, Life, and New Places

by Katerina Valdivia Bruch

11th Berlin Biennale: On the Human Condition

By Catalina Imizcoz

The Modern Paradigm and the Exhibitionary Form: The Case of Altermodern

By Miriam La Rosa

A Guest on the Edge: Manifesta and the Quest for European Unity and Solidarity

By Manifesta 12 Creative Mediators: Bregtje van der Haak, Andrés Jaque, Ippolito Pestellini Laparelli, Mirjam Varadinis

The Planetary Garden. Cultivating Coexistence.

by Amy Bruce

Is a Good Neighbour…? Semts, Scale and the 15th Istanbul Biennial

by Henk Slager

Chronosites

by Vasyl Cherepanyn

East Europe Biennial Alliance

5 — documenta

by Okwui Enwezor

The Black Box

by Mona Schubert

How Photography (Re-)entered documenta

6 — La Biennale di Venezia

by Vittoria Martini

The Evolution of an Exhibition Model. Venice Biennale as an Entity in Time

by Federica Martini

One Biennale, Many Biennials

by Alessia Basilicata

Venice Biennale: A Showcase for the American Debut in Global Art. American Storytelling Through Cultural Journals

by Vittoria Martini

Venice, the Biennale and the Bees

by Dorothee Richter and Paul Stewart

Curating the Digital – Curating and Art Practice: Contemporary Considerations on Automation, Place, and Digital Communication

by Julia Eckhardt

An Ariadne Thread

by Kajsa Antonsson, Anna Jakobsson

The Quick Fix: Thoughts on Chance and Community in New Music

by Camilla Overgaard, Susanne van Els

Diversity in Higher Music Education: An E-mail Interview with Camilla Overgaard and Susanne van Els

by Brandon Farnsworth and Rosanna Lovell

A Discussion with Dahlia Borsche

by Sabine Himmelsbach

Presenting, Mediating, and Collecting Media Art at HeK, House of Electronic Arts Basel

by Manuel Roßner

Imagine Universal Basic Income

by New Scenario

Online Exhibitions: The Curator as Director

by Paul Stewart

Visual Essay

by Dorothee Richter

(NON-)THINGS or Why Nostalgia for the Thing is Always Reactionary

Imprint

by Kenneth Goldsmith

UbuWeb: An Accidental Archive

by Heloisa Amaral

Producing Situations: How Performer-Curators Are Rethinking Roles and Formats

by Patrick Frank

Affirmative Critique

Imprint

by Ronald Kolb with Bitten Stetter, Brandon Farnsworth, Dorothee Richter, Jochen Kiefer, Martin Jaeggi, Paolo Bianchi

An e-mail conversation on the background of the Revisiting Black Mountain project at ZHdK

by Daniel Späti

Shared Campus

by Dorothee Richter

Revisiting Black Mountain College. Teaching to Transgress

by Cornelia Sollfrank

Commoning the Institution – or How to Create an Alternative (Art School), When “There Is No Alternative.”

by Jochen Kiefer

Ambiguous Dramaturgies and Crude Curation

by Susanne Kennedy

The Infinite Game of Becoming

by Johanna Bruckner

Terra Vague: Against the Ghosts of Land

A collaborative exercise by Sascia Bailer, Lucy Bayley, Simon Fleury, Gilly Karjevsky, and Asli Uludag to reflect upon our shared experiences at Un-Learning Place at Haus der Kulturen der Welt

“Everyone is just watching what’s happening…”

by Raqs Media Collective

Dreams of equal division of toxicity

by Theodore (ted) Kerr

What You Don’t Know About AIDS Could Fill A Museum: Curatorial Ethics and the Ongoing Epidemic in the 21st Century

1 — FORGETTING

by Sheldon Raymore

Waniyetu Wowapi and HIV/AIDS

by Rahne Alexander

The Lost and The Found

by David Kahn and Brooklyn Historical Society

April 20, 1993

by Avram Finkelstein

AIDS, Coca-Cola, and the Tompkins Square Park Riot

by Dudu Quintanilha

In Case You Forgot How I Looked

2 — SEEING

by Emily Bass and Yvette Raphael

Looking for the Faces of Our Friends

by the People with AIDS advisory committee

The Denver Principles

by Theodore (ted) Kerr

From Tactic to Demand: HIV Visibility Within a Culture of Criminalization

An Exchange to Expand on the PrEP Manifesto between Carlos Motta and John Arthur Peetz

Because PrEP is Not About AIDS

by Charan Singh

Among Four Friends: Conversations Before and in a Hospital Waiting Room

3 — COLLECTING

by Marika Cifor

Status = Undetectable: Curating for the Present and Future of AIDS

by Heather Holmes

Public Ruptures, Public Readerships: AIDS in Writing

by Renaud Chantraine, Florent Molle, Sandrine Musso

AIDS Politics of Representation and Narratives: A Current Project at the Museum of European and Mediterranean Civilizations (Mucem) in Marseilles, France

by Ricky Price

Viral Memories: The Making of Institutional History and Community Memory in the HIV/AIDS Crisis

by Tacoma Action Collective

#StopErasingBlackPeople

by Jordan Arseneault

How to Have A Lecture Series In An Epidemic

by Emily Colucci

Touch Across Time: Familial Loss And Its Remains In Art During The Ongoing HIV/AIDS Pandemic

by Vladimir Čajkovac

How to (Dis)quiet a Vampire

by l.n. Hafezi

[INSTRUCTIONS FROM CHLOE], A Curatorial Statement

by Miiro Michael

Disability, HIV, Art, and, Culture

by Greg Thorpe

Drunk At Vogue: The Last Disco

Imprint

by Christine Maria Kaiser

Urban Villages within the Megalopolis of Shenzhen: A (De)centralised Driver for Urban Change?

by Heike Biechteler

The Zuoz Case

by Franziska Herren

National Tourist Routes Project in Norway: Architecture and Artworks for Resting, Recollecting, and Reflecting

by Ella Krivanek

Interview with Gabi Ngcobo

by Miwa Negoro

Poetics of Topological Secrecy. An Interview with Lukas Sander

by Yan SU

From an Imaginary Interview with Gregory Sholette

by Francesca Ceccherini and Noriko Yamakoshi

Interview with Raqs Media Collective

by Carolina Sanchez

Interview with the Founders of POST-MUSEUM: Jennifer Teo and Woon Tien Wei

by Beatrice Fontana

A Conversation with Lisa Biedlingmaier about the Kunstverein Wagenhalle e.V./ Container City

by Domenico Ermanno Roberti

Interview with Montecristo Project

by Jan Sandberg

Encounter with Finnish Artist and Curator Ritva Kovalainen

by Dorothee Richter

Interview with Marta Rodriguez Maleck

by Damian Christinger

The Gaze of the Black Madonna. A Political Conversation with Theaster Gates

Elke Bippus, Jörg Huber, Dorothee Richter

Editorial: BEING-WITH: COMMUNITY – ONTOLOGICAL AND POLITICAL PERSPECTIVES

Ruth Sonderegger

ON THE CONSTRUCTION OF A 'COMMUNITY OF EQUALS'

Lars Gertenbach

THE IMAGINARY AND THE ABSENCE OF COMMUNITY. REFLECTIONS ON AN ELUSIVE CATEGORY

Michaela Melián

CARTE BLANCHE STRASSE, 2003

Lars Gertenbach and Dorothee Richter

The Imaginary and the Community. Deliberations Following the Deconstructivist Challenge of the Thinking of Community

by Steven Henry Madoff and Brian Kuan Wood

We Would Prefer Not To

by Patrick Jaojoco

Curatorial Archaegeographies: History of Place as Political Action

by Herman Melville

Bartleby, The Scrivener: A Story Of Wall-street

by Gilles Deleuze

Bartleby; or, The Formula

by Vera Petukhova

No Tears for the Sovereign. An Interview with Jesse Darling

by Lux Yuting Bai

Bartleby and Otaku. An Interview with Nadim Abbas

by Nana Adusei-Poku

On Being Present Where You Wish to Disappear

Imprint

by Shwetal A Patel, Sunil Manghani, and Robert E. D’Souza

Extracts from How to Biennale! (The Manual)

by Ronald Kolb and Shwetal A. Patel

Questionnaire: Introduction

asked by Shwetal A. Patel

Questionnaire: Rafal Niemojewski

asked by Kristina Grigorjeva

Questionnaire: Andrea Bellini

asked by Camille Regli

Questionnaire: Julia Moritz

asked by Shwetal A. Patel

Questionnaire: Qudsia Rahim

asked by Elena Setzer

Questionnaire: Wato Tsereteliis

asked by Kristina Grigorjeva

Questionnaire: Adam Caruso

by Jörg Scheller

Globannials or: The Sublime Is Wow

by Shwetal A. Patel

#biennale

by Jonathan Katz and Änne Söll

Editorial: Queer Exhibitions/Queer Curating

by Brian Curtin

The Terms of Visibility: Between Queer and LGBT in Curating Art in “Asia”

by Isabel Hufschmidt

The Queer Institutional, Or How to Inspire Queer Curating

by Simon Martin

Mediating Queerness: Recent Exhibitions at Pallant House Gallery

by Maura Reilly

Challenging Hetero-centrism and Lesbo-/Homo-phobia: A History of LGBTQ exhibi-tions in the U.S.

by Ladislav Zikmund-Lender

Swishing: Queer Curating in the Heart of Europe

by Emanuele Guidi and Lorenzo Sandoval

Spaces of Anticipation

by Valentina Desideri and BAR Project

Working Care

by Emanuele Guidi and Lorenzo Sandoval

Making Room – Spaces of Anticipation. Research Exhibition at ar/ge kunst

by Alex Martinis Roe

An Exercise in the Practice of Affidamento

by Krüger & Pardeller

A Model of Possible Action. An Unfinished Protocol

Teobaldo Lagos Preller

A Former Jail, A Diagram, A Space for Openness: What Is to Be Done? Interview with Justo Pastor Mellado, Chilean Curator and Critic

by Luis Berrios Negrón

Earthscore Specularium

Imprint

Exhibition images

by Dorothee Richter & Ronald Kolb

Editorial

Imprint

by Dorothee Richter & Ronald Kolb

Editorial

by Eyal Danon

Israeli Center for Digital Art

by Raqs Media Collective

Sources, Itineraries, and the Making of a Thicket

by Shwetal A. Patel and Shaheen Merali

On the critical decades and the role of archives

by Dorothee Richter

Learning from Dhaka

by Same Mdluli

Chasing Colonial Ghosts: Decolonizing Art Institutions in “Post-Apartheid” South Africa

by Binna Choi & Yolande van der Heide

Decolonizing Art Institutes from a Labor Point of View

by Ivan Muñiz-Reed

Thoughts on Curatorial Practices in the Decolonial Turn

by Sophie Vögele & Philippe Saner

Acknowledging the post_coloniality of Higher Art Education. Considerations from the Swiss perspective

by Marie-Laure Allain Bonilla

Some Theoretical and Empirical Aspects on the Decolonization of Western Collections

by Nanne Buurman & Dorothee Richter

Editorial: documenta: Curating the History of the Present

by Philipp Oswalt

Bauhaus / documenta: Orders of the Present

by Kristian Handberg

The Shock of the Contemporary: documenta II and the Louisiana Museum

by Beatrice von Bismarck

“The Master of the Works”: Daniel Buren’s Contribution to documenta 5 in Kassel, 1972

by Dorothee Richter

Being Singular/Plural in the Exhibition Context: Curatorial Subjects at documenta 5, dX, D12, d(13)

by Walter Grasskamp

Becoming Global: From Eurocentrism to North-Atlantic Feedback—documenta as an “International Exhibition” (1955 – 1972)

by Nina Möntmann

Plunging into the World: On the Potential of Periodic Exhibitions to Reconfigure the Contemporary Moment

by Ayşe Güleç

Learning from Kassel

by Anna Sigrídur Arnar

Books at documenta: Medium, Art Object, Cultural Symbol

Imprint

Iolanda Pensa

Public Art and Urban Change in Douala

Notes on Activist Art by Gregory G. Sholette

Counting On Your Collective Silence

interviewed by Nancy Dantas

Justin Davy of the Burning Museum

by Ntone Edjabe, Chimurenga in Conversation with Valeria Geselev

Why you don’t see people collaborating on building hospitals and 4 other thoughts on collaboration

interviewed by Nkule Mabaso

Daudi Karungi Director Kampala Art Biennale

Imprint

Anke Hennig

Estrangement A Retro-Vision for 2016

by Josephine Baker-Heaslip

Halfway

Alistair Hudson, Jeni Fulton, Paul Stewart and Sam Thorne.

Recuperation of Art and Activism. An e-mail correspondence.

Lilian Cameron, Suzana Milevska, Jared Pappas-Kelley, Adrian Shaw, Paul Stewart

Propositions: Applying Estrangement through Art, Learning and Curatorial Frameworks

Jack Schneider

Call of Cthulhu

Imprint

A Discussion with Almut Rembges, Philipp Lutz, Katharina Morawek by Makiko Takahashi, Lisa Lee Benjamin, Franziska Stern

Collaboration and Migration

Giorgio Agamben

Beyond Human Rights

An Interview with Esther Eppstein by Agustina Struengmann

Esther Eppstein on Making Zurich a Home for Art and Artists

Amelia Jones

Feminist Subjects versus Feminist Effects: The Curating of Feminist Art (or is it the Feminist Curating of Art?)

Susanne Clausen

Slapping Scenes

Gabrielle Moser, Helena Reckitt

Feminist Tactics of Citation, Annotation, and Translation: Curatorial Reflections on the Now You Can Go programme

Sigrid Schade

The Biographical Exhibition as a Problem of Feminist Critique and the Case of the Exhibition Marlene Dumas – Female, 2005

Stella Rollig

In search of the Feminist (in the) Institution

Lara Perry

Public Service Announcement: On the Viewer’s Role in Curatorial Production

Laura Castagnini

Performing Feminism ‘Badly’: Hotham Street Ladies and Brown Council

Lina Džuverović, Irene Revell

“We falter with feminist conviction”

Michaela Meliàn

Electric Ladyland

Avi Feldman

Editorial

Jonas Staal

Law of the State, Truth of Art. Two Case Studies of Art as Evidence

Michal Heiman

On Michal Heiman's Return: Asylum (The Dress) 1852-2017

Avi Feldman

The Artist as an Expert Witness

Hila Cohen-Schneiderman

Along the Law

Imprint

David Senior interviewed by Maja Wismer

Did Frank O’Hara Go?

Conversations with Fany Flores & Bea Schwager by Mariana Bonilla Rojas, Cordelia Oppliger, Silvia Savoldi

“We have to live a quiet life.” The Voice of the Sans Papiers

Vreni Spieser in Conversation with Silvia Converso

ELDORADO – Where Would You Search for It?

Maurizio Lazzarato

Immaterial Labor

An Interview with Tim Zulauf by Katya Knoll

Collective Identity Provides No Insights

Petra Tomljanović

On Memes, Migrants, and Spectrum

Rayelle Niemann

HEIMAT / watan

Erol Yildiz

Urban Recycling – the City in Migrant Economy

Conducted by Michelle Geser Lunau & Mona Liem

Reflexions on Personal Geopolitics by Students of the Postgraduate Programme in Curating

Anne Moeglin-Delcroix

Art for the Occasion (2001)

Daniel Baumann in conversation with Martin Jäggi and Marianne Mueller

Unraveling the Exhibits

New (Self) Advertisements

Imprint

Dorothee Richter & Barnaby Drabble

Curating Degree Zero Archive 2003–2008

Sabeth Buchmann

Curating with/in the System

Elke Krasny

Feminist Thought and Curating: On Method

Brian Holmes

“Something that has to do with life itself” World of Matter and the Radical Imaginary

Dorothee Richter

Thinking About Curatorial Education

Dorothee Richter & Michael Birchall

Editorial

Dorothee Richter

Deliberations—Communities

Silvia Simoncelli & students

LEXICON

Dina Yakerson

A conversation with Eyal Danon

Eleonora Stassi

An interview about movie projects and community issues with Fabrizio Boni, Giorgio de Finis, Dario and Mirko Bischofberger

Agustina Strüngmann

An interview with Swiss artist San Keller, 12 May 2014, Zürich, Switzerland

Kenneth Paranada

Interview with PLANTING RICE

Agustina Strüngmann

Questionnaire on Community – Marina Belobrovaja

Adriana Domínguez Velasco

Questionaire with Public Works

Michael Birchall & Philipp Sack

Editorial

Vagabond Reviews

More Bite in the Real World: Usership in Arts-Based Research Practice

Megan Johnston

Slow Curating: Re-thinking and Extending Socially Engaged Art in the Context of Northern Ireland

Lena Seik

"What does it have to do with me?" 
The Learning Museum, or How the Principle of Aesthetic Research Makes Cultural Education More Accessible

Amanda Cachia

Disability, Curating, and the Educational Turn: The Contemporary Condition of Access in the Museum

WochenKlausur

Lets Talk About Another Concept

Yet Chor Sunshine Wong

Building, Dismantling: Community Orientations and Counterpublic Art in Hong Kong

John Canciani

Introduction

Maike Mia Höhne cinematographic clusterlady

The Narrative – Approaches

Lars Henrik Gass, Maike Mia Höhne, Jukka-Pekka Laakso, Laurence Reymond, Peter van Hoof

Hybrid Films: Interview Part 2

Robert Cambrinus

In the cinema

Festival List

Dorothee Richter and Nkule Mabaso

Introduction

Garance Massart-Blum and Amber Hickey

Interview with Rein Wolfs

Marco Scotini

Le monde est à nous

Paul O'Neill

Co-productive Exhibition-Making and Three Principal Categories of Organisation: the Background, the Middle-ground and the Foreground

Elena Filipovic

The Global White Cube

Melanie Buech and Jeannine Herrmann

Interview with Anke Hoffmann and Yvonne Volkart

Manon Slome and Joshua Simon

Re-Staging of an exhibition-concept

Katharina Schendl and Ingela Johansson

Interview with Rainer Ganahl

Lucie Kolb & Gabriel Flückiger

Editorial

An E-Mail Exchange between Lucie Kolb & Gabriel Fluckiger

Writing New Institutionalism

An Interview with Charles Esche

“We were learning by doing”

Rachel Mader

How to move in/an institution

Alex Farquharson

Institutional Mores

An Interview with Liesbeth Bik

“Both a radical and mild change”

Amber Hickey, Dorothee Richter, Lindsey V. Sharman, Silvia Simoncelli

Editorial

Meyer Shapiro

Nature of Abstract Art

Marina Lopes Coelho

Interview with Tommy Støckel

Damian Navarro with an introduction by Véronique Ribordy

Carte Blanche

Dorothee Richter

New Markets and Forms of Capital in Art

Amber Hickey

Beyond Reflection: Radical Pedagogy and the Ethics of Art Sponsorship

Melanie Buchel, Marina Lopes Coelho and Silvia Simoncelli

A Question of Funding

Michael Birchall

Editorial

Marc James Léger

Homo Academicus Curatorius: Millet Matrix as Intercultural Paradigm

Sophia Ribeiro

An interview with Kristina Lee Podesva

Monika Molnár and Tanja Trampe

Public Art: Consequences of a Gesture?* An Interview with Mary Jane Jacob

Jacqueline Falk, John Canciani

Interview with curator Valerie Smith

Sheena Greene

“Italian Conversations: Art in 
the age of Berlusconi”: an interview with Fucking Good Art

Ashraf Osman and Daniela N. Fuentes

An Interview with Tania Bruguera