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by David Kahn and Brooklyn Historical Society

April 20, 1993

- Reprint

While often subjects within exhibitions about the virus, people living with HIV are seldom centered as visitors to exhibitions about the virus. Such was the case in 1993 with the Brooklyn Historical Society (BHS)’s AIDS / BROOKLYN, an exhibition conceived of by BHS’s executive director David M. Kahn. According to exhibition literature, Kahn felt that at the time museum exhibitions created in response to the crisis had not dealt with the disease in a way that was comprehensible to the general public. In response, he wanted BHS to make an exhibition that was rooted in “the daily lives of people affected by AIDS.” Curated by filmmaker Robert Rosenberg (Before Stonewall: The Making of a Gay and Lesbian Community), the exhibition included oral histories of Brooklyn residents living with and impacted by HIV/AIDS; ephemera from the front lines of the epidemic in Brooklyn procured largely by a community advisory board and partnering organizations; and local AIDS education material.

For Kahn, the exhibition was personal. As he often noted at the time when talking about the exhibition, his partner Ron Rosenberg died with HIV in 1991. Kahn’s lived connection to the virus comes through in the document below, a memo to all BHS staff that was part of “the blue binder,” BHS’s staff orientation for all exhibitions.

I came across Kahn’s memo a few years ago when I had the chance to index the AIDS / BROOKLYN oral histories in anticipation of historian Julie Golia’s 2019 BHS exhibition,Taking Care of Brooklyn: Stories of Sickness and Health. Upon reading the memo, I was moved first by the candor of a person in his position on such sensitive topics such as love, death, and loss; but more so I appreciated how Kahn used his position to center the needs and comfort of people living with HIV. Even when addressing fears—highlighted by an unknown person in this surviving copy of the memo—Kahn is thinking about how precautions impact people living with the virus.

In reading the memo, it becomes clear that every exhibition is not only an opportunity to engage with the public, but to also do outreach and education within an institution.

The memo appears courtesy of the Brooklyn Historical Society.

– Theodore (ted) Kerr


April 20, 1993


Go back

Issue 42



by Theodore (ted) Kerr

Framing The Issue

by Abdul-Aliy A. Muhammad and Louie Ortiz-Fonseca

A Brief History of HIV: A Conversation Between Two Friends

by Sheldon Raymore

Waniyetu Wowapi and HIV/AIDS

by Michael McFadden

Luckiest Guy

by Rahne Alexander

The Lost and The Found

by Adam Barbu and John Paul Ricco

Inheriting AIDS: A Conversation

by David Kahn and Brooklyn Historical Society

April 20, 1993

by Dudu Quintanilha

In Case You Forgot How I Looked

Artist Kelvin Atmadibrata in Conversation with Oral Historian Benji de la Piedra

HIV Ambivalence and Game-Playing Influence

by Emily Bass and Yvette Raphael

Looking for the Faces of Our Friends

by the People with AIDS advisory committee

The Denver Principles

A Conversation Between Szymon Adamczak, Luiza Kempińska, and Hubert Zięba

Poland and AIDS

by Demian DinéYazhi' and R.I.S.E.

HIV Affects Indigenous Communities

An Exchange to Expand on the PrEP Manifesto between Carlos Motta and John Arthur Peetz

Because PrEP is Not About AIDS

A Conversation Between Mavi Veloso and Nicholas D’Avella

Fingerprints, Unfinished

A Conversation Between Jean Carlomusto, Alexandra Juhasz, and Hugh Ryan

Abiding Relations Through Recovery, Restoration and Curation

by Nelson Santos

Love Happened Here

by Tacoma Action Collective


by Vladimir Čajkovac

How to (Dis)quiet a Vampire

by Cecilia Chung, Olivia Ford, Deon Haywood, Naina Khanna, Suraj Madoori, Charles Stephens

Intersectionality, HIV Justice, and the Future of Our Movement